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Stagecoach (Criterion Collection)

Claire Trevor (Actor), John Wayne (Actor), John Ford (Director, Producer) Rated: NR (Not Rated) Format: DVD
4.8 out of 5 stars 863 ratings
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May 25 2010 		—
2
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$45.55 $52.88

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Genre Westerns
Format NTSC
Contributor Winnie Browne, Fritzi Brunette, Yakima Canutt, Bryant Washburn, Leonard Trainor, Patsy Doyle, Andy Devine, Jack Mohr, Francis Ford, Steve Clemente, John Wayne, Bill Cody, Dorothy Appleby, Chris Phillips, Ed Brady, Franklin Farnum, Harry Tenbrook, Tex Driscoll, Al Lee, Si Jenks, John Ford, Nora Cecil, Chief Big Tree, Chief White Horse, Artie Ortego, Kent Odell, Louis Mason, Cornelius Keefe, Jack Pennick, Franklyn Farnum, Louise Platt, Florence Lake, Chief John Big Tree, Walter Wanger, Joe Rickson, Thomas Mitchell, Artie Ortega, Marga Ann Daighton, Jim Mason, William Hopper, Margaret Smith, Walter McGrail, Tim Holt, Hank Worden, Ted Billings, Duke Lee, Bill Cody Jr., Helen Gibson, Chris Martin, Buddy Roosevelt, Chris-Pin Martin, Elvira Rios, Paul McVey, John Carradine, Teddy Billings, Berton Churchill, Tom Tyler, Stephanie Austin, Jack Curtis, Brenda Fowler, Marga Ann Deighton, Merrill McCormick, Robert E. Homans, Vester Pegg, John Eckert, Patrick Wayne, Robert Homans, Claire Trevor, Theodore Lorch, Mary Kathleen Walker, Donald Meek, George Bancroft See more
Language English
Runtime 1 hour and 36 minutes
Studio The Criterion Collection
Number of discs 2
Manufacturer Criterion
UPC 715515051910
Global Trade Identification Number 00715515051910

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Product details

  • Language ‏ : ‎ English
  • Product Dimensions ‏ : ‎ 1.78 x 19.05 x 13.72 cm; 131.54 g
  • Item model number ‏ : ‎ 7261914
  • Director ‏ : ‎ John Ford
  • Media Format ‏ : ‎ NTSC
  • Run time ‏ : ‎ 1 hour and 36 minutes
  • Release date ‏ : ‎ May 25 2010
  • Actors ‏ : ‎ Claire Trevor, John Wayne, Andy Devine, John Carradine, Thomas Mitchell
  • Studio ‏ : ‎ Criterion
  • Producers ‏ : ‎ Stephanie Austin, John Ford, Walter Wanger
  • ASIN ‏ : ‎ B00393SG0G
  • Country of origin ‏ : ‎ USA
  • Number of discs ‏ : ‎ 2
  • Customer Reviews:
    4.8 out of 5 stars 863 ratings

Customer reviews

4.8 out of 5 stars
863 global ratings

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Top reviews from Canada

  • Alex Ivanc
    5.0 out of 5 stars Wonderful finally arrived
    Reviewed in Canada on January 8, 2024
    Verified Purchase
    Wonderful finally arrived
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  • fred wallin
    5.0 out of 5 stars Nice Package.
    Reviewed in Canada on February 16, 2021
    Verified Purchase
    Excellent movie
    One person found this helpful
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  • billyboy
    5.0 out of 5 stars Been looking for this for years
    Reviewed in Canada on December 19, 2019
    Verified Purchase
    Complete and remastered movie is there. Excellent job.
    One person found this helpful
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  • Eric R Barnes
    5.0 out of 5 stars Early duke!
    Reviewed in Canada on August 23, 2018
    Verified Purchase
    Great western directed by John Ford!
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  • r_duke
    4.0 out of 5 stars Four Stars
    Reviewed in Canada on December 22, 2015
    Verified Purchase
    The masters of Criterion bring this old film back to life!
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  • John B.
    5.0 out of 5 stars Great Western Classic
    Reviewed in Canada on September 12, 2018
    Verified Purchase
    Enjoyed the B&W movie very much.
    One person found this helpful
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  • Cherilyne
    5.0 out of 5 stars John Ford & John Wayne make magic
    Reviewed in Canada on February 28, 2016
    Verified Purchase
    This is a rare find and one I sought for some time. Happy to add it to my collection.
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  • Movienut
    5.0 out of 5 stars Movie buff
    Reviewed in Canada on December 12, 2012
    Verified Purchase
    Lots of good scenery from Monument Valley. Good extras on John Ford interviews. Story line at sometimes comes across as being a little boring. Thought there would be more scenes of the stage travelling through the valley.
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Top reviews from other countries

Translate all reviews to English
  • Interrogantem
    5.0 out of 5 stars Excellent quality
    Reviewed in the United Kingdom on January 31, 2025
    Verified Purchase
    Excellent film. Nuanced, well acted, possibly the first disaster movie, strangers thrown together in crisis. A joy to watch over and over. Great stunts. A piece of cinema history.
    Report
  • James Ashley
    5.0 out of 5 stars Excellent John Ford Western
    Reviewed in the United States on December 10, 2022
    Verified Purchase
    [SPOILER ALERT for STAGECOACH]

    UNITY VS. DIVERSITY

    The 1939 Western film STAGECOACH, directed by John Ford and starring John Wayne, Claire Trevor, Thomas Mitchell and John Carradine, presents an excellent dramatic demonstration of what unifies individuals in a society.

    Based on a short story by Ernest Haycox and inspired in part by Guy de Maupassant¡¯s short story ¡°Boule de Suif¡±, it tells the story of seven passengers aboard a stagecoach that must travel through dangerous Apache territory before arriving at their destination, Lordsburg, New Mexico. They consist of Lucy Mallory, the pregnant wife of a cavalry officer who is traveling to join her husband in Lordsburg; Hatfield (Carradine), a Southern gentleman and a gambler; ¡°Doc¡± Boone (Mitchell), an alcoholic physician; Peacock, a whiskey salesman; Gatewood, a banker; Dallas (Trevor), a known prostitute; and ¡°The Ringo Kid¡± (Wayne), a prison escapee who is picked up by the coach and wants to get to Lordsburg so that he can take revenge on the man who killed his father and brother. The coach is driven by a talkative man named ¡°Buck¡±, who has a Marshall, Curley Wilcox, alongside him who has been looking for The Ringo Kid so that he can arrest him and take him back to prison.

    Everyone on board the coach seems to have at least some idea of each other¡¯s history, if not knowing everything about it, and you might say that a few of the people riding to Lordsburg have a ¡°past¡±. But the only one who, so far, has successfully concealed it is Gatewood, the banker, who in his recent history has absconded with embezzled funds from his bank and has them in his luggage.

    And almost everyone has opinions about each other or each other¡¯s opinions. ¡°Doc¡± Boone took the Union side during the Civil War, and Hatfield the Confederacy¡¯s. Because of this, they are not all that amicable toward each other at the beginning of the trip. Lucy seems to look down somewhat on Dallas, the gambler and perhaps the drunken physician. The whiskey salesman resents Doc Boone for occasionally using up his supply of liquor. Gatewood is only bothered by delays in getting to Lordsburg and on the alert for any prying questions about why he wants to get there so soon.

    But on the way to the most dangerous stretch of their journey, gradually people seem to drop any biases they have toward one another, perhaps sensing that in an emergency there mustn¡¯t be friction between any of them, and they all must be able to work together. They first become acutely aware of the value of mutual aid and cooperation when Lucy goes into labor. There is a doctor among them, and he¡¯s drunk. But a couple of the men help him to sober up by administering to him a steady flow of coffee. Now sobered up for the most part, he, with the assistance of Dallas, delivers a healthy baby girl. All the others have an improved opinion of the physician¡ªskilled he is, though drunk at times¡ªand of Dallas. Even Lucy herself, besides understanding that women who live in an untamed land often have to resort to making a less than desirable living, sees the prostitute in a better light and glimpses a new aspect of her character.

    And so does The Ringo Kid. Speaking to her away from the others, he tells her: ¡°Look, Miss Dallas. You got no folks...neither have I. And, well, maybe I'm takin' a lot for granted, but...I watched you with that baby¡ªthat other woman's baby. You looked...well, well I still got a ranch across the border. There's a nice place¡ªa real nice place...trees...grass...water. There's a cabin half built. A man could live there...and a woman. Will you go?¡±

    She replies: ¡°But you don't know me¡ªyou don't know who I am!¡±

    ¡°I know all I wanna know. Will you go?¡±

    So the prison escapee who is expert with a rifle falls in love with the maligned harlot, the alcoholic doctor earns the respect of the other passengers, the gambler is gentlemanly toward and protective of the soldier¡¯s wife, and everyone has a better opinion of everyone else, with the exception of Gatewood, who is not interested in any of the others and whose only concern is getting the hell ¡°out of Dodge¡± before the authorities are alerted to his crime and come after him.

    At least one film reviewer has called the passengers collectively ¡°a microcosm of society¡±; in a way, they are. If people in a society wish to live together in harmony, not only when times are good but most particularly when in crisis, what is necessary for friendliness, mutual aid and cooperation to exist is not diversity of groups, every one of which is to be recognized and represented in the population, but unity of individuals.

    If the large majority of people in a nation are not united by the same fundamental values, beliefs or ideas, that society will be weakened by any adversities the people will face.

    Ironically, it is not the value of the GROUP that an untroubled, unified society is all about, but the value of the INDIVIDUAL HUMAN BEING. And the society that places the value of the individual above all else is a strong society, which will stand up to any threat or evil, foreign or domestic.

    ¡ªJim Ashley


    Photo from STAGECOACH, released in 1939, starring John Wayne, Claire Trevor, Thomas Mitchell, John Carradine, Andy Devine, Louise Platt, George Bancroft, Donald Meek, Berton Churchill, Tom Tyler, Chris-Pin Martin and Chief John Big Tree. Directed by John Ford. Screenplay by Dudley Nichols. Cinematography by Bert Glennon. Stunt Coordinator and stunt double (for Mr. Wayne) Yakima Canutt.
    Customer image
    James Ashley
    5.0 out of 5 stars
    Excellent John Ford Western

    Reviewed in the United States on December 10, 2022
    [SPOILER ALERT for STAGECOACH]

    UNITY VS. DIVERSITY

    The 1939 Western film STAGECOACH, directed by John Ford and starring John Wayne, Claire Trevor, Thomas Mitchell and John Carradine, presents an excellent dramatic demonstration of what unifies individuals in a society.

    Based on a short story by Ernest Haycox and inspired in part by Guy de Maupassant¡¯s short story ¡°Boule de Suif¡±, it tells the story of seven passengers aboard a stagecoach that must travel through dangerous Apache territory before arriving at their destination, Lordsburg, New Mexico. They consist of Lucy Mallory, the pregnant wife of a cavalry officer who is traveling to join her husband in Lordsburg; Hatfield (Carradine), a Southern gentleman and a gambler; ¡°Doc¡± Boone (Mitchell), an alcoholic physician; Peacock, a whiskey salesman; Gatewood, a banker; Dallas (Trevor), a known prostitute; and ¡°The Ringo Kid¡± (Wayne), a prison escapee who is picked up by the coach and wants to get to Lordsburg so that he can take revenge on the man who killed his father and brother. The coach is driven by a talkative man named ¡°Buck¡±, who has a Marshall, Curley Wilcox, alongside him who has been looking for The Ringo Kid so that he can arrest him and take him back to prison.

    Everyone on board the coach seems to have at least some idea of each other¡¯s history, if not knowing everything about it, and you might say that a few of the people riding to Lordsburg have a ¡°past¡±. But the only one who, so far, has successfully concealed it is Gatewood, the banker, who in his recent history has absconded with embezzled funds from his bank and has them in his luggage.

    And almost everyone has opinions about each other or each other¡¯s opinions. ¡°Doc¡± Boone took the Union side during the Civil War, and Hatfield the Confederacy¡¯s. Because of this, they are not all that amicable toward each other at the beginning of the trip. Lucy seems to look down somewhat on Dallas, the gambler and perhaps the drunken physician. The whiskey salesman resents Doc Boone for occasionally using up his supply of liquor. Gatewood is only bothered by delays in getting to Lordsburg and on the alert for any prying questions about why he wants to get there so soon.

    But on the way to the most dangerous stretch of their journey, gradually people seem to drop any biases they have toward one another, perhaps sensing that in an emergency there mustn¡¯t be friction between any of them, and they all must be able to work together. They first become acutely aware of the value of mutual aid and cooperation when Lucy goes into labor. There is a doctor among them, and he¡¯s drunk. But a couple of the men help him to sober up by administering to him a steady flow of coffee. Now sobered up for the most part, he, with the assistance of Dallas, delivers a healthy baby girl. All the others have an improved opinion of the physician¡ªskilled he is, though drunk at times¡ªand of Dallas. Even Lucy herself, besides understanding that women who live in an untamed land often have to resort to making a less than desirable living, sees the prostitute in a better light and glimpses a new aspect of her character.

    And so does The Ringo Kid. Speaking to her away from the others, he tells her: ¡°Look, Miss Dallas. You got no folks...neither have I. And, well, maybe I'm takin' a lot for granted, but...I watched you with that baby¡ªthat other woman's baby. You looked...well, well I still got a ranch across the border. There's a nice place¡ªa real nice place...trees...grass...water. There's a cabin half built. A man could live there...and a woman. Will you go?¡±

    She replies: ¡°But you don't know me¡ªyou don't know who I am!¡±

    ¡°I know all I wanna know. Will you go?¡±

    So the prison escapee who is expert with a rifle falls in love with the maligned harlot, the alcoholic doctor earns the respect of the other passengers, the gambler is gentlemanly toward and protective of the soldier¡¯s wife, and everyone has a better opinion of everyone else, with the exception of Gatewood, who is not interested in any of the others and whose only concern is getting the hell ¡°out of Dodge¡± before the authorities are alerted to his crime and come after him.

    At least one film reviewer has called the passengers collectively ¡°a microcosm of society¡±; in a way, they are. If people in a society wish to live together in harmony, not only when times are good but most particularly when in crisis, what is necessary for friendliness, mutual aid and cooperation to exist is not diversity of groups, every one of which is to be recognized and represented in the population, but unity of individuals.

    If the large majority of people in a nation are not united by the same fundamental values, beliefs or ideas, that society will be weakened by any adversities the people will face.

    Ironically, it is not the value of the GROUP that an untroubled, unified society is all about, but the value of the INDIVIDUAL HUMAN BEING. And the society that places the value of the individual above all else is a strong society, which will stand up to any threat or evil, foreign or domestic.

    ¡ªJim Ashley


    Photo from STAGECOACH, released in 1939, starring John Wayne, Claire Trevor, Thomas Mitchell, John Carradine, Andy Devine, Louise Platt, George Bancroft, Donald Meek, Berton Churchill, Tom Tyler, Chris-Pin Martin and Chief John Big Tree. Directed by John Ford. Screenplay by Dudley Nichols. Cinematography by Bert Glennon. Stunt Coordinator and stunt double (for Mr. Wayne) Yakima Canutt.
    Images in this review
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  • Philip Moore
    4.0 out of 5 stars John Ford the master
    Reviewed in Australia on May 5, 2025
    Verified Purchase
    Great movie by one of the greatest directors that ever lived. A hugely influential film that Orson Welles screened over and over when he made Citizen Kane. It was the first Western that John Ford made in the sound era and was him discovering the great Monument Valley that he kept filming for decades in. Great special features and a rare silent feature of very few of his silent features that survived. A great booklet and worth adding to the collection.
    Report
  • petrus34
    5.0 out of 5 stars Klassiker an der Spitze!
    Reviewed in Germany on May 23, 2025
    Verified Purchase
    Ein Filmklassiker! Unbedingt lesen.
    Report
  • ¥Ò©`
    5.0 out of 5 stars ¹úÄÚÅ̤ȤαȽϡ£
    Reviewed in Japan on June 25, 2017
    Verified Purchase
    ¤³¤Î¥ì¥Ó¥å©`¤Ï¡¡Criterion Collection: Stagecoach [Blu-ray] ¡¡¤Î¥ì¥Ó¥å©`¤Ç¤¹¡£

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    ¥Ò©`
    5.0 out of 5 stars
    ¹úÄÚÅ̤ȤαȽϡ£

    Reviewed in Japan on June 25, 2017
    ¤³¤Î¥ì¥Ó¥å©`¤Ï¡¡Criterion Collection: Stagecoach [Blu-ray] ¡¡¤Î¥ì¥Ó¥å©`¤Ç¤¹¡£

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