Manufacturer | Panasonic |
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Place of Business | NEWARK, NJ, 07102 US |
Item model number | H-ES12060 |
Product Dimensions | 11.4 x 11.4 x 18.39 cm; 589.67 g |
ASIN | B01N7LGSZO |
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Panasonic LUMIX Professional 12-60mm Camera Lens, Leica DG Vario-ELMARIT, F2.8-4.0 ASPH, Dual I.S. 2.0 with Power O.I.S, Mirrorless Micro Four Thirds, H-ES12060 (Black)
Purchase options and add-ons
Brand | Panasonic |
Focal length description | 12-60 millimeters |
Lens type | Standard |
Compatible mountings | Olympus/Panasonic Standard 4/3 |
Camera lens description | 60 month |
About this item
- NANO SURFACE COATING: Professional, high quality LEICA DG VARIO ELMARIT camera lens optics with Panasonic’s Nano Surface Coating to reduce unwanted ghosting and flaring for crystal clear pictures (4 ASPH / 2 UED)
- HIGH SPEED AUTO FOCUSING: Upgraded faster focus tracking via a 240 fps linear motor performs smooth aperture changes so there are no sudden jumps in exposure for improved video performance
- ADVANCED OPTICAL IMAGE STABILIZATION: Panasonic POWER O.I.S. compatible with enhanced LUMIX Dual I.S. 2.0 LUMIX Mirrorless cameras immediately compensates even large camera shake and vibrations for sharp, blur free photos
- STANDARD ZOOM LENS: A 5X optical 24 to 120 millimeter (35 millimeter camera equivalent) focal length with F2.8 4.0 ASPH provides flexible framing from breathtaking landscapes to beautiful, mid telephoto 60 millimeter portraits
- RUGGED HIGH PERFORMANCE, DESIGN: Durable metal body camera lens braves the elements in nearly any kind of weather or shooting location (Splashproof / Dustproof / Freezeproof); Minimum Aperture:F22. Extra Low Dispersion (ED) lenses correct chromatic aberration rendering sharp, high contrast images with clear colors from corner to corner
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Product details
- Is discontinued by manufacturer : No
- Product Dimensions : 11.4 x 11.4 x 18.39 cm; 589.67 g
- Date First Available : Dec 26 2016
- Manufacturer : Panasonic
- Place of Business : NEWARK, NJ, 07102 US
- ASIN : B01N7LGSZO
- Item model number : H-ES12060
- Country of origin : China
- 鶹 Rank: #110,001 in Electronics (See Top 100 in Electronics)
- #108 in Compact-system Camera Lenses
- Customer Reviews:
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Product description
Panasonic LUMIX Mirrorless Micro Four Thirds camera lenses deliver a no-compromise approach to optical performance for modern interchangeable camera enthusiasts and professionals. As an optical partner of legendary LEICA Lenses, Panasonic LUMIX Professional Camera Lens LEICA DG VARIO-ELMARIT H-ES12060 features Panasonic’s Nano Surface Coating to reduce bothersome reflections across the entire light spectrum for the highest standards of detail and sharpness. Built for the outdoors, this professional grade metal body lens features a splash / dustproof design when mounted on a compatible LUMIX G Mirrorless camera. Featuring Power O.I.S. optical image stabilization compatibility with 5-Axis Dual I.S. 2.0 (Image Stabilization), you'll shoot with unprecedented hand-held stability across both video and still. For added versatile high performance, this standard zoom lens offers a F2.8-4.0 ASPH and focal length of 12-60mm (35mm camera equivalent: 24-120mm) to render everything clearly, from corner to corner. What’s more, the stunning AF performance of this lens records excellent 4K video where precise focusing is essential. Make the switch from bulky DSLRs to the smaller, lighter, more compact Mirrorless Micro Four Thirds system cameras and lenses from Panasonic LUMIX.
Top Brand: Panasonic
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This Item ![]() Panasonic LUMIX Professional 12-60mm Camera Lens, Leica DG Vario-ELMARIT, F2.8-4.0 ASPH, Dual I.S. 2.0 with Power O.I.S, Mirrorless Micro Four Thirds, H-ES12060 (Black) | Recommendations | |||||
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Price | $1,149.95$1,149.95 | $1,998.00$1,998.00 | $648.00$648.00 | $498.00$498.00 | $1,289.87$1,289.87 | -25%$549.95$549.95 List: $729.99 |
Delivery | Get it by Friday, Jul 18 | Get it by Friday, Jul 18 | Get it Jul 21 - 25 | Get it by Friday, Jul 18 | Get it by Friday, Jul 18 | Get it Jul 18 - 22 |
Customer ratings | ||||||
Sold by | 鶹.ca | 鶹.ca | EP Pro!! | 鶹.ca | 鶹.ca | Canada Camera and Electronics |
lens type | Standard | Telephoto | Wide Angle | Standard | Wide Angle | Fisheye |
compatible mountings | Olympus/Panasonic Standard 4/3 | Micro Four Thirds | Micro Four Thirds | Leica L | 1ZE4Z252Z | LUMIX G |
lens design | Zoom | Zoom | Prime | Prime | Zoom | Zoom |
focus type | Auto Focus | Auto Focus | Auto Focus | Auto Focus | Auto Focus | Auto Focus |
min. focal length | 12 millimeters | 100 millimeters | 9 millimeters | 50 millimeters | 8 millimeters | — |
maximum focal length | 60 millimeters | 400 millimeters | 9 millimeters | 50 millimeters | 18 millimeters | — |
fixed focal length | 60 millimeters | 400 millimeters | 9 millimeters | 50 millimeters | 18 millimeters | 60 millimeters |
real angle of view | 84.1 degrees | — | 100 degrees | 46.8 degrees | 53.4 degrees | 75.7 degrees |
model name | HES12060 | HRSA100400 | HX09 | SS50 | HE08018 | HFS12060 |
max. aperture | 4 f stop | 4 f stop | 1.7 f stop | 1.8 millimeters | 2.8 f stop | 5.6 f stop |
diaphragm blades | 9 | 9 | 7 | 9 | — | 7 |
From the manufacturer
12-60mm / F2.8-4.0 STANDARD ZOOM RANGE
Finally, the long-awaited standard zoom lens from LEICA has arrived. This 12-60mm (35mm camera equivalent: 24-120mm) lens provides flexible framing from breathtaking landscapes to beautiful, mid-telephoto 60mm portraits. The stunning resolution of this LEICA DG lens renders everything clearly, from corner to corner. Designed for reliable use even under poor weather conditions, this handy and high-quality lens is all you'll need for challenging.
LEICA DG LENS OPTICAL PERFORMANCE
Opt for a LEICA DG lens and get the ultimate in optical quality and performance. They naturally meet the strict quality standards set by Leica Camera AG. Thanks to the sophisticated design of these lenses, you will enjoy brilliant clarity all the way to the edges of your photos. At the same time, distortions of all kind are prevented to enable precise, sharp picture rendering. This means you have the ideal tool for pro-level images in the palm of your hand.
Splash/Dust/Freeze-proof – more creative options
Brave the elements in nearly any kind of weather or shooting location. This lens features a splash/dust/freezeproof construction* that is tough enough to withstand even heavy field use. It protects the lens system inside from sand, rain and more, making it perfectfor shooting under harsh conditions. Now there is nothing holding you back from capturing the creative nature or landscape shots you want.
*The lens supports this feature in conjunction with splash/dust/freezeproof LUMIX cameras.
POWER O.I.S.
Capture scenes carefree or at the spur of the moment. The optical image stabilisation (O.I.S.) technology built directly into the lens ensures your photos will look great, with sharp blur-free contours across the entire picture. Taking highly popular MEGA O.I.S. further, this advanced technology immediately compensates even large camera shake and vibrations that may occur in photography. So you can capture true-to-life scenes without the need for a tripod. In the end, you’ll enjoy wonderfully crisp images.
NANO SURFACE COATING
Put an end to unwanted ghosting and flaring – the Nano Surface Coating has been applied to lenses within the system. This special, ultra-thin coating was developed originally by Panasonic to reduce bothersome reflections across the entire light spectrum. The result: crystal-clear pictures even if you’re photographing a light source in the dark.
VIDEO SUPPORT
With video support any user has everything they need for recording with their LUMIX camera. Not only does it perform smooth aperture changes so there are no sudden jumps in exposure, it also boasts a silent design for enhanced capture of the scene’s audio. What’s more, the stunning AF performance of this lens records excellent 4K video, where precise focusing is essential.
LENS CONSTRUCTION
Aspherical (ASPH) lenses reduce size and weight, effectively preventing spherical and distortion aberration. Extra-Low Dispersion (ED) lenses correct chromatic aberration rendering sharp, high-contrast images with clear colors from corner to corner.
MTF Chart
For lenses that are capable of compensating distortion, the horizontal axis of the MTF shows the distance from the center of the corrected image.
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Customer reviews
Top reviews from Canada
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- Reviewed in Canada on December 8, 2024Verified Purchaseso good love it
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Reviewed in Canada on July 24, 2024Verified PurchaseUn super objectif de qualité, un tout aller.
- Reviewed in Canada on August 3, 2018Verified PurchaseI was surprised just how good this lens is from 100mm end to 400mm end (200-800equiv). I use it for birding and all how saw my shots were impressed and many of them are quite capable of telling me if something isn’t all that good. Used it on a Pany. G9 and it was very carryable all day with very little strain. It balances well with the camera and once I got used to the zoom, easy to use. Great buy!
- Reviewed in Canada on May 19, 2019Verified PurchaseA lens that produces a very clear image.
quite versatile in operational parameters.
- Reviewed in Canada on December 9, 2018Verified PurchaseFast and sharp just as expected
- Reviewed in Canada on March 31, 2018Verified PurchaseExcellent build quality and overall image quality. I have tested the lens against the Panasonic 12-35mm f/2.8 and 35-100mm f/2.8, and well as the Lumix 12-60mm f/3.5-5.6. The difference between the Vario-Elmarit 12-60 and the 12-35/35-100 combo is negligible, and it is better than the Lumix 12-60mm at focal lengths greater than about 17mm. The extra reach means that I can often carry just the Vario-Elmarit 12-60 instead of the 12-35 & 35-100 combo.
- Reviewed in Canada on October 8, 2020Verified PurchaseSharp image. Auto focus on the GH5 is quick and spot on.
Top reviews from other countries
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Edu PIReviewed in Spain on November 8, 2024
5.0 out of 5 stars Magnífico objetivo
Verified PurchaseLo recibí con la caja algo deteriorada pero el interior parecía en perfecto estado así que me lo quedé. Tras varios meses de utilización puedo decir que es un estupendo objetivo, ideal como óptica "todo terreno" aunque tal vez un poco pesado para fotografía de calle pero, claro, está construido todo en metal; aun así es muy portable.
Diseño minimalista pero agradable. La calidad del acabado es excelente transmitiendo la sensación de robustez y, a la vez, todo funciona de forma muy suave (hasta poner el parasol es una gozada). La calidad de la imagen es simplemente impresionante, muy buena nitidez (centro/esquina) en todos los rangos de focal i en todos los diafragmas hasta f-8 (a partir de ahí comienza a decaer pero es normal en las ópticas de m 4/3) teniendo su punto dulce entre f4 i f5.6, poca distorsión y en su extremo gran angular (12 mm.) i ninguna en el resto de las focales y prácticamente ninguna aberración cromática .
Lo utilizo, sobretodo, en una Olympus PEN-F aunque también, ocasionalmente, en una Olympus E-PL8 sin ningún problema de compatibilidad. evidentemente el estabilizador de imagen MEGA-OIS no se suma al de las cámaras pero si las pone en un modo donde domina la estabilización del objetivo que, según mi experiencia, es superior al del cuerpo (ya de por sí magnífica sobretodo en la PEN-F).
Una excelente compra, muy recomendable.
- TempeReviewed in the United States on March 12, 2017
5.0 out of 5 stars One of my favorite 4/3 lenses of that period was the Olympus Zuiko ...
Verified PurchaseI began using 4/3 system cameras before the advent of micro 4/3. One of my favorite 4/3 lenses of that period was the Olympus Zuiko 12-60mm f2.8-4.0 SWD. The 24-120 (full frame equivalent) range is extremely useful, especially for traveling. Thus, I was intrigued in knowing if the new Panasonic-Leica 12-60 f2.8-4 would fill that gap again for me. I have also used the excellent Olympus 12-40 f2.8 as well as the Panasonic 12-35 f2.8. The Olympus 12-40 is a great lens, but sometimes it’s nice to have a little more reach. Although both Olympus and Panasonic have made cheaper lenses, whose ranges are useful (e.g., the Olympus 12-50 3.5-6.3 and Panasonic 12-60 f3.5-5.6), these lenses are slower and seem to be not up to the same quality standards as the Olympus pro lenses and the Panasonic-Leica lenses.
In the first few weeks of use, I have been very impressed by the Panasonic-Leica 12-60 f2.8-4 image quality, sharpness, and color rendition. I have been using it on both the Panasonic GX 8 and the OMD EM1 Mark ii. It is nicely balanced on both cameras. Its image stabilization (IS) only works in sync with the newer Panasonic bodies, but not Olympus bodies. Nevertheless, the five-axis stabilization of the new Olympus OMD is outstanding, so I haven’t noticed any issues in using this lens on the Olympus body.
The zoom is silky smooth, the lens is fast focusing, and its construction is very good and weather resistant, although it does not seem to have the more substantial build-quality feel of the Panasonic-Leica f42.5mm Nocticron lens, which is one of my favorites. The f2.8 is also nice to have at its 12 mm length, but it starts creeping up to 3.0 and ultimately 4.0 fairly rapidly when you begin to zoom in closer.
In terms of size, it is nearly comparable to the Olympus 12-40 f2.8 (diameter 70 mm Oly vs. 68 mm Pan-Leica; length 84 mm Oly vs. 86 mm Pan-Leica). Both use a 62 mm filter thread. In terms of weight, the Pana-Leica is only 320 g compared to the Oly 12-40 at 382 g. When compared to the excellent new Olympus 12-100 f4.0 at 561 g, the Pan-Leica is considerable lighter, although without the tele-zoom reach. I considered the new Olympus 12-100 mm, but the Pan-Leica is about $300 cheaper and more compact, with a faster aperture at the wide range. The lens is also purported to be very good for video, although my primary purpose in using it is for stills.
I intend to use this lens particularly for travel purposes and some street photography. Overall, I find it to be a nice compromise between the Olympus 12-40 f2.8 and the Olympus 12-100 f4.0 both in size, range, and price. You won’t regret have any of these lenses, but I am, thus far, pleased with my choice as I am also trying to reduce the total number of lenses I use.
- SmellaReviewed in the United States on July 30, 2020
5.0 out of 5 stars Great Wide to Medium Telephoto & Videography Lens
Verified PurchaseI bought this lens to do videography for my outdoors Youtube channel on my Panasonic Lumix G9. It fits this use-case excellently with a 12mm wide angle with an effective 5X optical zoom. If you utilize the Ex. Teleconv feature on recent Panasonic cameras you can get an effective 7X lossless zoom for free. If you shoot landscapes and mostly static subjects like I do, then a camera with a sensor shift hi-res mode can increase your range even further than that.
Image quality at 12mm is very sharp in the center with some barrel distortion at the very far corners. At the wide end, don't expect perfectly sharp images across the entire scene - this is a trade-off to be expected in a wide to medium tele. I see a largely clean, distortion free image about 18-20mm and beyond. In the video world this is less of an issue than for photographers. The range you get for size make it worth it to me for the range that you get.
Aperture reduces immediately to f/2.9 at 13mm and continues down from there until you hit f/4 at about 55mm. Since I am mostly shooting landscape in video in 4K, I rarely use f/2.8 - however this does come into play in vlogging shots. I find that f/2.8 is the sweet spot for walking & talking on camera in order to produce the ideal amount of background blur while avoiding focus breathing. I find the bokeh at f/2.8 to be pleasing with circular bokeh balls thanks to the 9 bladed aperture. Defocused backgrounds look smooth to me. I am usually at f/5.6 to f/7 when shooting landscape at 12mm and around f/8 to f/11 when closer to 60mm; you will notice diffraction kicking around f/11 but it's not so bad as to be unusable.
Chromatic aberration is largely corrected for but you will see some green & magenta tinting with sun flares. This is better to me than having full-on sun flares in the shot.
Another plus is the weather sealing. This lens does not see a ton of foul wet weather but living and shooting in the desert I enounter a lot
The only major con I have come across is that (1) this lens is heavier than the cheaper plastic counterparts; though to me this is a pro adding durability.
I am happy with the images this lens produces; I believe this lens is suitable for someone who normally would carry a wide lend and medium telephoto who wants to reduce weight and complexity of their setup. This is probably going to be as close as you'll get to a do-it-all lens on the M43 system.
SmellaGreat Wide to Medium Telephoto & Videography Lens
Reviewed in the United States on July 30, 2020
Image quality at 12mm is very sharp in the center with some barrel distortion at the very far corners. At the wide end, don't expect perfectly sharp images across the entire scene - this is a trade-off to be expected in a wide to medium tele. I see a largely clean, distortion free image about 18-20mm and beyond. In the video world this is less of an issue than for photographers. The range you get for size make it worth it to me for the range that you get.
Aperture reduces immediately to f/2.9 at 13mm and continues down from there until you hit f/4 at about 55mm. Since I am mostly shooting landscape in video in 4K, I rarely use f/2.8 - however this does come into play in vlogging shots. I find that f/2.8 is the sweet spot for walking & talking on camera in order to produce the ideal amount of background blur while avoiding focus breathing. I find the bokeh at f/2.8 to be pleasing with circular bokeh balls thanks to the 9 bladed aperture. Defocused backgrounds look smooth to me. I am usually at f/5.6 to f/7 when shooting landscape at 12mm and around f/8 to f/11 when closer to 60mm; you will notice diffraction kicking around f/11 but it's not so bad as to be unusable.
Chromatic aberration is largely corrected for but you will see some green & magenta tinting with sun flares. This is better to me than having full-on sun flares in the shot.
Another plus is the weather sealing. This lens does not see a ton of foul wet weather but living and shooting in the desert I enounter a lot
The only major con I have come across is that (1) this lens is heavier than the cheaper plastic counterparts; though to me this is a pro adding durability.
I am happy with the images this lens produces; I believe this lens is suitable for someone who normally would carry a wide lend and medium telephoto who wants to reduce weight and complexity of their setup. This is probably going to be as close as you'll get to a do-it-all lens on the M43 system.
Images in this review