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The Masque of Africa: Glimpses of African Belief Kindle Edition

3.8 out of 5 stars 52 ratings
3.2 on Goodreads
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Understanding Africa is critical for all concerned with the world today: in what promises to be his final great work of reportage, one of the keenest observers of the continent surveys the effects of belief and religion on the disparate peoples of Africa.

The Masque of Africa is Nobel Prize-winning V. S. Naipaul's first major work of non-fiction to be published since his internationally bestselling Beyond Belief. Like all of Naipaul's great works of non-fiction, The Masque of Africa is superficially a book of travels ¡ª?full of people, stories and landscapes he visits?¡ª but it also encompasses a larger narrative and purpose: to judge the effects of belief (whether in indigenous animisms, faiths imposed by other cultures, or even the cults of leaders and mythical history) upon the progress of civilization.

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Review

A New York Times Book Review Editor¡¯s Choice
?
¡°You don¡¯t have to agree with Naipaul, or find his point of view pleasant, to acknowledge his powers of observation and storytelling. Both friends and foes will find much to be moved by in this work.¡±
¡ªAlexandra Fuller, The Globe and Mail
?
¡°Naipaul is willing to express a new attitude, one of self-doubt. This acknowledgment of human frailty¡ªstarting with his own¡ªbroadens his observational powers immeasurably.¡±
¡ªThe New York Times Book Review

¡°This beautiful and humane book . . . achieves a kind of majesty.¡±
¡ªHarper¡¯s Magazine
?
¡°Engaging work. . . . Naipaul¡¯s prose remains smooth, subtle, often silvery.¡±
¡ªKirkus Reviews
?
¡°Ever fair-minded, soberly reflective and conciliatory, Naipaul offers his sage observations in the hope that by learning more, we accept greater.¡±
¡ªPublishers Weekly (starred review)
?
¡°A sharply written and engrossing exploration.¡±
¡ªLibrary Journal

About the Author

V. S. NAIPAUL was born in Trinidad in 1932. He went to England on a scholarship in 1950. After four years at University College, Oxford, he began to write, and since then he has followed no other profession. He has published more than twenty books of fiction and non-fiction, including A House for Mr. Biswas, A Bend in the River and A Turn in the South, and a collection of letters, Between Father and Son. He was awarded the Nobel Prize in Literature in 2001.

Product details

  • ASIN ‏ : ‎ B00472OBRU
  • Publisher ‏ : ‎ Knopf Canada
  • Accessibility ‏ : ‎ Learn more
  • Publication date ‏ : ‎ Oct. 19 2010
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 3.2 MB
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Not Enabled
  • Print length ‏ : ‎ 256 pages
  • ISBN-13 ‏ : ‎ 978-0307399977
  • Page Flip ‏ : ‎ Enabled
  • Âé¶¹Çø Rank: #339,594 in Kindle Store (See Top 100 in Kindle Store)
  • Customer Reviews:
    3.8 out of 5 stars 52 ratings

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3.8 out of 5 stars
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Top reviews from Canada

  • Reviewed in Canada on October 27, 2018
    Verified Purchase
    Naipaul, in this fascinating book, explores the deep underbelly of modern Africa. An honest account written as if by an an anthropologist. It resonated with my own childhood and youth.
  • Reviewed in Canada on December 2, 2011
    Underlying the spontaneous reporting we can detect Naipaul's careful preparation. His visits to religious leaders are set up through a grapevine of contacts. He arrives as a visiting head of the literary world, escorted by local officials of various kinds. He tries to observe protocol carefully, like he was calling on royals in Europe. During his first visits in Uganda and Nigeria, Naipaul seems to accept that African religion revolves around the old cults of kings and tribal leaders. Then he branches out to explore popular religion as a relationship with nature or a means of influencing personal fate. The trip through Gabon shows an especially appealing side of African natural religion. And the trip to South Africa shows folk religion at its most disoriented and grasping. Through it all, Naipaul pays attention to how people regard animals. He feels it is an important barometer of their humanity.

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  • ganase indra
    3.0 out of 5 stars L'Afrique mes souvenirs
    Reviewed in France on August 7, 2017
    Verified Purchase
    Je trouve sa description de la vie actuelle dans ce sens pays sont parfois trop n¨¦gatif et injuste, mais pour moi qui connaissit bien ces pays auparavant , cela me rappelle des bons souvenirs.
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  • August Party
    2.0 out of 5 stars ¤µ¤è¤Ê¤é¥Ê¥¤¥Ý©`¥ë£¡
    Reviewed in Japan on November 12, 2010
    Verified Purchase
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    ¡¡¥¦¥¬¥ó¥À¤«¤éʼ¤á¤¿Âäϡ¢Î÷¥¢¥Õ¥ê¥«¤Ø¤È¾A¤¯¡£¥Ê¥¤¥¸¥§¥ê¥¢¤Î¥é¥´¥¹¤Î¿Õ¸Û¤Î»ìÂÒ¤Ö¤ê¤ò¥Ê¥¤¥Ý©`¥ë¤ÏÓï¤ë¡£¤¤¤è¤¤¤è¥Ý¥¹¥È¥³¥í¥Ë¥¢¥ëÉç»á¤Ø¤Î¿ÁÁ¢¤Á?²»ÐÅ?Å­¤ê¤¬¼«µã¤Ë´ï¤·¤¤¤Ä¤â¤Î¥Ê¥¤¥Ý©`¥ë½Ú¤¬Ê¼¤Þ¤ë¤Ï¤¸¤Þ¤ë¤Î¤Ç¤Ï¤Ê¤¤¤«¤ÈÆÚ´ý¤·¤Æ¤¤¤¿¤Î¤À¤¬¡¢¤É¤¦¤â¤½¤¦¤¤¤¦·½¤Ø¤ÏÐФ«¤Ê¤¤¡£³¢¤Æ¤ÎÅ­¤ì¤ë¥Ê¥¤¥Ý©`¥ë¤Ï¤É¤³¤ËÐФäƤ·¤Þ¤Ã¤¿¤Î¤À¤í¤¦¡£¤à¤·¤í¼«¶È¤ÎƶÀ§¤«¤é¿àѧ¤·¤Ê¤¬¤é»á¼ÆÑ§¤òѧ¤ÓÉç»áµÄµØÎ»¤òµÃ¤ë¤Þ¤Ç¤Ëµ½¤Ã¤¿¤¢¤ë¥¢¥Õ¥ê¥«ÈˤΰëÉú¤¬¡¢¤¢¤ëÖÖ¤Î×ð¾´¤ò½»¤¨¤ÆÓï¤é¤ì¤Æ¤æ¤¯¤Î¤À¡£¤¢¤ë¤¤¤Ï¡¢¤­¤ï¤á¤ÆÐËζÉ¥Ï©`¥ì¥à¤ÎÅ®ÐÔ¤«¤é¤ÎÎŤ­Óï¤ê¤Ë¤·¤Æ¤â¡¢’Q¤¤¤«¤¿¤ÏÆ«¼û¤òÅŤ·¤¿È˼äÐÔ¤ËÀï´ò¤Á¤µ¤ì¤Æ¤¤¤Æ¡¢ºÎ¤ÈÑÔ¤¦¤«¥Ê¥¤¥Ý©`¥ë¤Î¶¾¤ÏÍêÈ«¤ËÏû¤¨Ê§¤»¤Æ¤¤¤ë¡£¤µ¤é¤Ë¡¢²¶¤é¤¨¤¿¥Ô¥°¥ß©`¤ò¥Ú¥Ã¥È¤È¤·¤ÆËùÓФ·¤Æ¤¤¤ë¥¢¥Õ¥ê¥«ÈˤÎÎŤ­Ê餭¤Ë¤·¤Æ¤â¡¢È˼ä¤ò¥Ú¥Ã¥È¤È¤¹¤ë¤³¤È¤Ø¤Î¥¢¥Õ¥ê¥«ÈˤÎ霤ˤĤ¤¤ÆºÎ¤Î¶´²ì¤âʾ¤µ¤ì¤º¡¢¤¿¤ÀÎŤ­Á÷¤·¤Æ¤¤¤ë·ç¤Ê¤Î¤À¡£???³¢¤Æ¤Î¥Ê¥¤¥Ý©`¥ë¤ËŨÃܤˤ¢¤Ã¤¿¶¾¤Ïʧ¤»¡¢ÎÄÕ¤ÏÝX¤¯(¤³¤ì¤â¤¹¤´¤¯šÝ¤Ë¤Ê¤Ã¤¿)¡¢¤â¤¦ƒW¤Ï¥Ê¥¤¥Ý©`¥ë¤ÎФ·¤¤±¾¤òÕi¤à¤³¤È¤Ï¤Ê¤¤¤À¤í¤¦¡¢¤È˼¤¦¡£
  • Gio
    5.0 out of 5 stars Mumbo Jumbo Revisited
    Reviewed in the United States on October 23, 2010
    Verified Purchase
    In popular parlance, "mumbo jumbo" is a pejorative label for unintelligible technical language and/or for absurd magical blather. It's a useful term for discussing neoliberal economic theories, such as those of assorted Republican contenders for the role of heir-apparent. In V.S. Naipaul's latest travelogue, The Masque of Africa, Mumbo-Jumbo is a specific, recognizable supernatural personage, a vaguely menacing figure reminiscent of the Norse Loki or the Native American Coyote. The book is replete with such intriguingly 'fresh' details, traveler's snapshots of the quaint and curious. If you expect more than traveler's observation, I warn you, you've chosen the wrong book. Naipaul is quite forthright in subtitling his newest book as "GLIMPSES of African Belief." He's not a sociologist, not a historian, not in fact a scholarly writer of any sort; he's an intellectual tourist with an immense talent for turning his glimpses into delightful prose. Occasionally those glimpses are startlingly thought-provoking, but as a traveler, Naipaul is far more adept at asking questions and noticing anomalies than at systematic analyses. That has always been true of his travelogues, though his two books about journeys in Islam were tougher-minded than this book about a jaunt in Africa.

    Naipaul makes his agenda plain: "... the theme of The Masque of Africa is African belief. I begin in Uganda, at the center of the continent, do Ghana and Nigeria, the Ivory Coast and Gabon, and end at the bottom of the continent in South Africa. My theme is belief, not political or economical life; and yet at the bottom of the continent the political realities are so overwhelming that they have to be taken into account." Whoa, Vidiadhar Sahib, that's quite an itinerary! It reminds me of the old joke about the American tourist in Europe: if today is Tuesday, this must be Belgium. But Naipaul has no intention of trying to be thorough or comprehensive; much as his writings have always wrestled with issues of 'belief', in Africa he is honestly a kind of bird watcher, peering through his verbal binoculars hither and yon, hoping to spot something randomly significant. Don't suppose that I'm scorning his method here! I relished this book a lot for its literary mastery, and I found it to be a more 'realistic' depiction of Africa as a place, more accurately descriptive than the bulk of books I've read about the continent as I've seen it myself on a few very short visits.

    In his chapter about Nigeria, Naipaul writes: "I had a romantic idea of the earth religions. I felt they took us back to the beginning, a philosophical big bang, and I cherished them for that reason. I thought they had a kind of beauty. But the past here still lived. People like the contractor [one of Naipaul's Nigerian informants] were closer to it, and his words ... gave a new idea: the dark abyss of paganism. Others spoke of that as well, in their own way; and it seemed to me that people near the bottom, who responded more instinctively to things, had the greater fear. The fear was real, not affected, and I felt it was this, rather than ideas of beauty and history and culture... that was keeping the past and all the old gods close." Aha! A 'romantic idea' indeed, or else an astonishing naivete for a Nobel Prize winner! But my nose tells me that Naipaul is being disingenuous, setting himself up as his own straw man. He does that a lot in this book. Plays 'straight man' to his own sardonic self. In fact, he invents an image of himself as a casual traveler careful of his health and his budget, almost a knapsack wanderer. Don't fall for that! He's a renowned author of thirty books, including several best sellers. With his royalties and his Nobel winnings, he really doesn't need to be cautious about overpaying a taxi driver. And he doesn't just 'arrive' anywhere unannounced; his contacts are all in place and his introductions come from the highest levels. If he chooses to impress the reader with the risks involved in visiting a slum or a backwoods shrine, it's only for literary effect. He is, please remember, a very famous and recognizable man in his late seventies, and no African government would risk allowing a mishap to him.

    So why? Naipaul is a born poseur whose whole career has been based on fictionalizing himself. Whether you find his poses charming or annoying will depend on you. There are honorable people in this world who despise Naipaul's aloof, judgmental objectivity. He has been lambasted by both liberals and conservatives, usually for NOT taking sides. My impression of him is that he cherishes or at least relishes individual human beings but dislikes the species at large. He has made his distaste for the two "world religions" of Islam and Christianity fiercely explicit, a stance not calculated to make him beloved. In his glimpses of Africa, he is obviously disposed to perceive the worst effects of missionary imperialism from either world religion. He declares: "Perhaps an unspoken aspect of my inquiry was the possibility of the subversion of old Africa by the ways of the outside world."

    What! Unspoken? More disingenuousness! Isn't it clear, Viadadhar my friend, that you deeply believe Africa would be a happier place if "we" had left it alone? And in that, I wouldn't disagree.

    Honestly, Naipaul is far more distressed about the destruction of the forests and the decimation of wildlife than he is about the 'saving of souls' or the dependency of the global economy on African resources. Still, whether you share his values or not, you won't be bored as a reader by his subtle exposition of them.

    The title of this book deserves some scrutiny. "Masque" is not a quaint British spelling of "mask", nor a synonym. It's a verb in one sense, meaning 'to wear a mask'. It's also a genre of musical theater, popular in aristocratic circles in 17th C England, an entertainment for the Elite often performed by the Elite themselves. Both senses are pertinent to Naipaul's book. Again and again, as part of his elite itinerary, Naipaul is shown spectacles of African pagan 'superstition' and ritual, some of them in full regalia, staged for him and for more ordinary tourists. And he enjoys the show. I imagine you and I would, also. A large share of the book is devoted to Naipaul's conversations with his informants from various social classes, his drivers, his hotel servants, his hired guides, but also several extremely protected elites, people like Winnie Mandela, Jerry Rawlings, and the presidents of various banks, who would not be accessible except as part of the Masque. Naipaul seldom reveals his stage machinery, seldom discloses how his contacts were prearranged. He's a sly impresario, this masquer from Trinidad!

    I don't imagine that everyone will be satisfied with Naipaul's stance in this book. Those with the most earnest humanitarian concerns and those with the staunchest political opinions will probably accuse him of dilettantish trivialization. Let me say it plainly: this is an entertainment, a masque as artificial as Henry Purcell's "Fairy Queen". If it also stimulates insights, that's "valued added".
  • HansBlog
    2.0 out of 5 stars Von hungernden K?tzlein
    Reviewed in Germany on January 25, 2012
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    Immer wieder bemitleidet Vidiadhar Suraj Naipaul hungernde K?tzlein; der Flughafen in Lagos ist chaotisch, das Hotel dann nicht viel besser. T.i.A., aber Naipaul beklagt unerm¨¹dlich ¨¹ber hunderte Seiten den M¨¹ll in den Stra?en, die Staus, die leidenden Tiere und wie die Afrikaner das wei?e Erbe herunterwirtschaften.

    Mit derlei Kleinkram h?lt sich der Gro?meister auf - in einem Buch, das deutlich abf?llt gegen viele seiner fr¨¹heren Reiseberichte und Romane: The Masque of Africa liefert bestenfalls mittelm??ige Informationen in dito Prosa (mit zahlreichen gelehrten Vokabeln, die meine Offline-W?rterb¨¹cher nicht kannten; ich hatte die englische Ausgabe). Atmosph?re-Beiwert: Null. Der Nobelpreistr?ger h?tte das saft- und kraftlose Buch vielleicht gar nicht ver?ffentlichen sollen. Mit welchem Gef¨¹hl brachten es die Lektoren wohl heraus? Ich glaube, sie sind fr¨¹h dar¨¹ber eingeschlafen: schon auf Seite 23 (Picador-TB-Ausgabe) fliegen die Begriffe Busoga und Wasoga durcheinander; Tippfehler ziehen sich durchs Buch; der R¨¹ckumschlag verwechselt "continent" und "country".

    Viel echtes Leben schildert Naipaul nicht in seinen Berichten aus Uganda, Nigeria, Ghana, Gabon, S¨¹dafrika und der Elfenbeink¨¹ste. Die meiste Zeit verbringt er jeweils in der Hauptstadt, in Nigeria und Ghana auch ein paar Tage in der jeweils zweiten Stadt, in Gabon gibt es einen Ausflug in die Provinz. Er kommt kaum mal l?nger in ein Dorf.

    In Uganda besichtigt Naipaul alte Schreine und Tempel, referiert Gelesenes und f?hrt, von Fliegen bel?stigt, zu einem Schimpansenreservat; in Nigeria besucht Naipaul Provinzf¨¹rsten, in Ghana einen Heiler und Ex-Premier Jerry Rawlings, der mit ausnahmsweise gut gen?hrten Haustieren punktet. In der Elfenbeink¨¹ste berichtet Naipaul von alten Zeiten und vom Katzen-Verzehr, und in Gabon unterh?lt er sich mit Pygm?enforschern, ohne selber Pygm?en zu treffen (oder diesen Mangel auch nur zu erkl?ren). Naipaul verl?sst sich immer wieder ganz auf das, was ein paar F¨¹hrer und Verbindungsleute berichten oder bestenfalls pr?sentieren, ohne selbst medias in res zu gehen (viele Initiationsrituale sind freilich streng geheim). Der Islam spielt nur in Nordnigeria eine Rolle.

    Der fr¨¹he Naipaul schrieb zauberhaft humorvolle Romane, meist ¨¹ber seine Heimat Trinidad; dann folgten starke Reiseberichte aus Indien und aus dem nicht-arabischen Islam sowie bezwingende Afrika-Romane wie In a Free State, A Bend in the River und Half a Life. Dazwischen gab es schon ?fter mal K?se; aber Masque of Africa scheitert nicht mal mit Niveau. Der 76j?hrige Naipaul l?sst sich m¨¹de von Gew?hrsleuten durch afrikanische Tempel, Heilerst?tten und Dorfh?uptlingssalons leiten, spricht bequem mit Informanten der Oberklasse, bedauert K?tzlein und andere geplagte Gesch?pfe.

    Das letzte Kapitel ¨¹ber S¨¹dafrika wirkt besonders blass. Der Leser bekommt nicht das Gef¨¹hl, ¨¹berhaupt einen Fu? ins Land gesetzt zu haben. Es gibt eine kurze, uninteressante Begegnung mit Winnie Mandela, einen Besuch auf dem Fetischmarkt, vor allem aber erz?hlt Naipaul von Ghandi in S¨¹dafrika und referiert gedehnt mehrere Erz?hlungen s¨¹dafrikanischer Autoren. Das Buch endet denkbar lieblos mit der Nacherz?hlung einer Erz?hlung, ohne jeden abrundenden Satz; The Independent: "His hands are shaky, his words no longer perfectly sculpted. The power over readers is dissipating."
  • TED KAZ
    4.0 out of 5 stars It's quite an interesting juxtaposition of topic matter which this avid reader on all things Africa loved! It read a bit slow at
    Reviewed in the United States on August 10, 2015
    Verified Purchase
    A very well written book which gets inside African history, politics, religion, and spirituality. It's quite an interesting juxtaposition of topic matter which this avid reader on all things Africa loved! It read a bit slow at times but a great read overall.

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