
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet or computer – no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera, scan the code below and download the Kindle app.
Image Unavailable
Colour:
-
-
-
- To view this video, download
Follow the author
OK
Making Money: (Discworld Novel 36) Hardcover – Dec 25 2018
鶹
Purchase options and add-ons
'Clever, engaging and laugh-out-loud funny' The Times
‘Pratchett at his finest’ 5-star reader review
'Whoever said you can't fool an honest man wasn't one.'
The Royal Bank of Ankh-Morpork is facing a crisis and needs a shake-up in management.
Cue Moist von Lipwig, Postmaster General and former con artist. If anyone can rescue the city's ailing financial institution, it's him. He doesn't really want the job, but the thing is, he doesn't have a choice.
Moist has many problems to solve as part of his new role: the chief cashier is almost certainly a vampire, the chairman needs his daily walkies, there's something strange happening in the cellar, and the Royal Mint is running at a loss.
Moist begins making some ambitious changes . . . and some dangerous enemies.
Because money is power and certain stakeholders will do anything to keep a firm grip on both . . .
Making Money is the second book in the Industrial Revolution series, but you can read the Discworld novels in any order.
Praise for the Discworld series:
'[Pratchett’s] spectacular inventiveness makes the Discworld series one of the perennial joys of modern fiction' Mail on Sunday
‘Pratchett is a master storyteller’ Guardian
'One of our greatest fantasists, and beyond a doubt the funniest' George R.R. Martin
'One of those rare writers who appeals to everyone’ Daily Express
‘One of the most consistently funny writers around’ Ben Aaronovitch
‘Masterful and brilliant’ Fantasy & Science Fiction
‘Pratchett uses his other world to hold up a distorting mirror to our own… he is a satirist of enormous talent ... incredibly funny ... compulsively readable' The Times
‘T best humorous English author since P.G. Wodehouse' The Sunday Telegraph
‘Nothing short of magical’ Chicago Tribune
'Consistently funny, consistently clever and consistently surprising in its twists and turns' SFX
‘[Discworld is] compulsively readable, fantastically inventive, surprisingly serious exploration in story form of just about any aspect of our world…There's never been anything quite like it’ Evening Standard
- LanguageEnglish
- PublisherDoubleday UK
- Publication dateDec 25 2018
- Dimensions13.6 x 4.2 x 20.6 cm
- ISBN-100857525921
- ISBN-13978-0857525925
Frequently bought together

Customers who viewed this item also viewed
- And if you could sell the dream to enough people, no one dared wake up.Highlighted by 243 Kindle readers
- Students, eh? Love ’em or hate ’em, you’re not allowed to hit ’em with a shovel.Highlighted by 239 Kindle readers
- There were meetings. There were always meetings. And they were dull, which is part of the reason they were meetings. Dull likes company.Highlighted by 214 Kindle readers
Product description
Review
–The Times
“Terry Pratchett is a comic genius.”
–Daily Express
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Waiting in darkness – A bargain sealed – The hanging man – Golem with a blue dress – Crime and punishment – A chance to make real money – The chain of gold-ish – No unkindness to bears – Mr Bent keeps time
THEY LAY IN THE DARK, guarding. There was no way of measuring the passage of time, nor any inclination to measure it. There was a time when they had not been here, and there would be a time, presumably, when they would, once more, not be here. They would be somewhere else. This time in between was immaterial.
But some had shattered and some, the younger ones, had gone silent.
The weight was increasing.
Something must be done.
One of them raised his mind in song.
It was a hard bargain, but hard on whom? That was the question. And Mr Blister the lawyer wasn’t getting an answer. He would have liked an answer. When parties are interested in unprepossessing land, it might pay for smaller parties to buy up any neighbouring plots, just in case the party of the first part had heard something, possibly at a party.
But it was hard to see what there was to know.
He gave the woman on the other side of his desk a suitably concerned smile.
‘You understand,Miss Dearheart, that this area is subject to dwarf mining law? That means all metals and metal ore are owned by the Low King of the dwarfs. You will have to pay him a considerable royalty on any that you remove. Not that there will be any, I’m bound to say. It is said to be sand and silt all the way down, and apparently it is a very long way down.’
He waited for any kind of reaction from the woman opposite, but she just stared at him. Blue smoke from her cigarette spiralled towards the office ceiling.
‘Tn there is the matter of antiquities,’ said the lawyer, watching as much of her expression as could be seen through the haze. ‘T Low King has decreed that all jewellery, armour, ancient items classified as Devices, weaponry, pots, scrolls or bones extracted by you from the land in question will also be subject to a tax or confiscation.’
Miss Dearheart paused as if to compare the litany against an internal list, stubbed out her cigarette and said: ‘Is there any reason to believe that there are any of these things there?’
‘None whatsoever,’ said the lawyer, with a wry smile. ‘Everyone knows that we are dealing with a barren waste, but the King is insuring against “what everyone knows” being wrong. It so often is.’
‘He is asking a lot of money for a very short lease!’
‘Which you are willing to pay. This makes dwarfs nervous, you see. It’s very unusual for a dwarf to part with land, even for a few years. I gather he needs the money because of all this Koom Valley business.’
‘I’m paying the sum demanded!’
‘Quite so, quite so. But I—’
‘Will he honour the contract?’
‘To the letter. That at least is certain. Dwarfs are sticklers in such matters. All you need to do is sign and, regrettably, pay.’
Miss Dearheart reached into her bag and placed a thick sheet of paper on the table. ‘This is a banker’s note for five thousand dollars, drawn on the Royal Bank of Ankh-Morpork.’
The lawyer smiled. ‘A name to trust,’ he said, and added: ‘traditionally, at least. Do sign where I’ve put the crosses, will you?’
He watched carefully as she signed, and she got the impression he was holding his breath.
‘Tre,’ she said, pushing the contract across the desk.
‘Perhaps you could assuage my curiosity, madam?’ he said. ‘Since the ink is drying on the lease?’
Miss Dearheart glanced around the room, as if the heavy old bookcases concealed a multitude of ears. ‘Can you keep a secret, Mr Blister?’
‘Oh, indeed, madam. Indeed!’
She looked around conspiratorially. ‘Even so, this should be said quietly,’ she hissed.
He nodded hopefully, leaned forward, and for the first time for many years felt a woman’s breath in his ear:
‘So can I,’ she said.
That was nearly three weeks ago . . .
Some of the things you could learn up a drainpipe at night were surprising. For example, people paid attention to small sounds – the click of a window catch, the clink of a lockpick – more than they did to big sounds, like a brick falling into the street or even (for this was, after all, Ankh-Morpork) a scream.
These were loud sounds which were therefore public sounds, which in turn meant they were everyone’s problem and, therefore, not mine. But small sounds were nearby and suggested such things as stealth betrayed, and so were pressing and personal.
Therefore, he tried not to make little noises.
Below him the coach yard of the Central Post Office buzzed like an overturned hive. They’d got the turntable working really well now. The overnight coaches were arriving and the new Uberwald Flyer was gleaming in the lamplight. Everything was going right, which was, to the night-time climber, why everything was going wrong.
The climber thrust a brick key into soft mortar, shifted his weight, moved his foo—
Damn pigeon! It flew up in panic, his other foot slipped, his fingers lost their grip on the drainpipe, and when the world had stopped churning he was owing the postponement of his meeting with the distant cobbles to his hold on a brick key which was, let’s face it, nothing more than a long flat nail with a t-piece grip.
And you can’t bluff a wall, he thought. If you swing you might Making Money get your hand and foot on the pipe, or the key might come out.
Oh . . . kay . . .
He had more keys and a small hammer. Could he knock one in without losing his grip on the other?
Above him the pigeon joined its colleagues on a higher ledge.
The climber thrust the nail into the mortar with as much force as he dared, pulled the hammer out of his pocket and, as the Flyer departed below with a clattering and jingling, hit the nail one massive blow.
It went in. He dropped the hammer, hoping the sound of its impact would be masked by the general bustle, and grabbed the new hold before the hammer had hit the ground.
Oh . . . kay. And now I am . . . stuck?
The pipe was less than three feet away. Fine. This would work. Move both hands on to the new hold, swing gently, get his left hand around the pipe, and he could drag himself across the gap. Then it would be just—
The pigeon was nervous. For pigeons, it’s the ground state of being. It chose this point to lighten the load.
Oh . . . kay. Correction: two hands were now gripping the suddenly very slippery nail.
Damn.
And at this point, because nervousness runs through pigeons faster than a streaker through a convent, a gentle patter began.
There are times when ‘It does not get any better than this’ does not spring to mind.
And then a voice from below said: ‘Who’s up there?’
Thank you, hammer. They can’t possibly see me, he thought. People look up from the well-lit yard with their night vision in shreds. But so what? They know I’m here now.
Oh . . . kay.
‘All right, it’s a fair cop, guv,’ he called down.
‘A thief, eh?’ said the voice below.
‘Haven’t touched a thing, guv. Could do with a hand up, guv.’
‘Are you Thieves’ Guild? You’re using their lingo.’
‘Not me, guv. I always use the word guv, guv.’
He wasn’t able to look down very easily now, but sounds below indicated that ostlers and off-duty coachmen were strolling over. That was not going to be helpful. Coachmen met most of their thieves out on lonely roads, where the highwaymen seldom bothered to ask sissy questions like ‘Your money or your life?’ When one was caught, justice and vengeance were happily combined by means of a handy length of lead pipe.
There was a muttering beneath him, and it appeared that a consensus had been reached.
‘Right, Mister Post Office Robber,’ a cheery voice bellowed. ‘Here’s what we’re gonna do, okay? We’re gonna go into the building, right, and lower you a rope. Can’t say fairer’n that, right?’
‘Right, guv.’
It had been the wrong kind of cheery. It had been the cheery of the word ‘pal’ as in ‘You lookin’ at me, pal?’ The Guild of Thieves paid a twenty-dollar bounty fee for a non-accredited thief brought in alive, and there were oh, so many ways of still being alive when you were dragged in and poured out on the floor.
He looked up. The window of the Postmaster General’s apartment was right above him.
Oh . . . kay.
His hands and arms were numb and yet painful at the same time. He heard the rattle of the big freight elevator inside the building, the thud of a hatch being slapped back, the footsteps across the roof, felt the rope hit his arm.
‘Grab it or drop,’ said a voice as he flailed to grasp it. ‘It’s all the same in the long run.’ There was laughter in the dark.
The men heaved hard at the rope. The figure dangled in the air, then kicked out and swung back. Glass shattered, just below the guttering, and the rope came up empty.
The rescue party turned to one another.
‘All right, you two, front and back doors right now!’ said a aking Money coachman who was faster on the uptake. ‘Head him off! Go down in the elevator! The rest of you, we’ll squeeze him out, floor by floor!’
As they clattered back down the stairs and ran along the corridor a man in a dressing gown poked his head out of one of the rooms, stared at them in amazement, and then snapped: ‘Who the hell are you lot? Go on, get after him!’
‘Oh yeah? And who are you?’ said an ostler, slowing down and glaring at him.
‘He’s Mr Moist von Lipwick, he is!’ said a coachman at the back. ‘He’s the Postmaster General!’
‘Someone came crashing through the window, landed right between— I mean, nearly landed on me!’ shouted the man in the dressing gown. ‘He ran off down the corridor! Ten dollars a man if you catch him! And it’s Lipwig, actually!’
That would have re-started the stampede, but the ostler said, in a suspicious voice: ‘Here, say the word “guv”, will you?’
‘What are you on about?’ said the coachman.
‘He doesn’t half sound like that bloke,’ said the ostler. ‘And he’s out of breath!’
‘Are you stupid?’ said the coachman. ‘He’s the Postmaster! He’s got a bloody key! He’s got all the keys! Why the hell would he want to break into his own Post Office?’
‘I reckon we ought to take a look in that room,’ said the ostler.
‘Really? Well, I reckon what Mr Lipwig does to get out of breath in his own room is his own affair,’ said the coachman, giving Moist a huge wink. ‘An’ I reckon ten dollars a man is running away from me ’cos of you being a tit. Sorry about this, sir,’ he said to Lipwig, ‘he’s new and he ain’t got no manners. We will now be leaving you, sir,’ he added, touching where he thought his forelock was, ‘with further apologies for any inconvenience which may have been caused. Now get cracking, you bastards!’
When they were out of sight Moist went back into his room and carefully bolted the door behind him.
Well, at least he had some skills. The slight hint that there was a woman in his room had definitely swung it. Anyway, he was the Postmaster General and he did have all the keys.
Product details
- Publisher : Doubleday UK
- Publication date : Dec 25 2018
- Language : English
- ISBN-10 : 0857525921
- ISBN-13 : 978-0857525925
- Item weight : 498 g
- Dimensions : 13.6 x 4.2 x 20.6 cm
- Book 35 of 40 : Discworld
- 鶹 Rank: #419,713 in Books (See Top 100 in Books)
- #18 in Discworld
- #457 in Contemporary Paranormal & Urban Fantasy
- #478 in Paranormal Fantasy (Books)
- Customer Reviews:
About the author

Terry Pratchett sold his first story when he was fifteen, which earned him enough money to buy a second-hand typewriter. His first novel, a humorous fantasy entitled The Carpet People, appeared in 1971 from the publisher Colin Smythe. Terry worked for many years as a journalist and press officer, writing in his spare time and publishing a number of novels, including his first Discworld novel, The Color of Magic, in 1983. In 1987 he turned to writing full time, and has not looked back since. To date there are a total of 36 books in the Discworld series, of which four (so far) are written for children. The first of these children's books, The Amazing Maurice and His Educated Rodents, won the Carnegie Medal. A non-Discworld book, Good Omens, his 1990 collaboration with Neil Gaiman, has been a longtime bestseller, and was reissued in hardcover by William Morrow in early 2006 (it is also available as a mass market paperback (Harper Torch, 2006) and trade paperback (Harper Paperbacks, 2006). Terry's latest book, Nation, a non-Discworld standalone YA novel was published in October of 2008 and was an instant New York Times and London Times bestseller. Regarded as one of the most significant contemporary English-language satirists, Pratchett has won numerous literary awards, was named an Officer of the British Empire “for services to literature” in 1998, and has received four honorary doctorates from the Universities of Warwick, Portsmouth, Bath, and Bristol. His acclaimed novels have sold more than 55 million copies (give or take a few million) and have been translated into 36 languages. Terry Pratchett lived in England with his family, and spent too much time at his word processor. Some of Terry's accolades include: The Carnegie Medal, Locus Awards, the Mythopoetic Award, ALA Notable Books for Children, ALA Best Books for Young Adults, Book Sense 76 Pick, Prometheus Award and the British Fantasy Award.
Customer reviews
- 5 star4 star3 star2 star1 star5 star79%18%3%0%0%79%
- 5 star4 star3 star2 star1 star4 star79%18%3%0%0%18%
- 5 star4 star3 star2 star1 star3 star79%18%3%0%0%3%
- 5 star4 star3 star2 star1 star2 star79%18%3%0%0%0%
- 5 star4 star3 star2 star1 star1 star79%18%3%0%0%0%
Top reviews from Canada
There was a problem filtering reviews. Please reload the page.
- Reviewed in Canada on March 16, 2019Verified PurchaseThe Discworld series becomes more involved with each advance through the series. While you can enjoy this book as a first off it is better to follow the whole series through in sequence starting at - you guessed it - number 1. The whole series makes a great read and really does not fit into a neat categorization.
- Reviewed in Canada on August 25, 2020Verified PurchaseExcellent book in a classic series
- Reviewed in Canada on August 29, 2008I've been a Pratchett fan for many a moon, and one of the things that I love is that his writing, his characters, and his world continue to deepen and grow richer with age. This latest addition to the Discworld features a relatively new character, Moist von Lipwig, who recently debuted in Going Postal. Although Moist found his second chance in Going Postal, there were still some issues left unresolved, and in this new novel Lord Vetinari has some further challenges in store for him.
Despite the fact that Vetinari runs the most efficient city on the Discworld, there are always those who think that they could do one better - for themselves, if not for anyone else. As Sam Vimes wonderfully observed some books ago, the word "privilege" originally derives from the idea of "private law" - that is, one law for those who can afford it and another for the poor sods who can't. Moist finds himself in the position, once again, of entertaining the many at the expense of the rich few - not necessarily out of any Robin Hood-like instinct, but because he can't resist riding the absolute edge of the danger wave.
Another wonderful gem from the mind of Terry Pratchett.
- Reviewed in Canada on April 17, 2020Verified PurchaseI love this book, purchased as a gift
- Reviewed in Canada on December 6, 2018Verified PurchaseGood!
- Reviewed in Canada on May 27, 2013Verified Purchase"I do believe that it is pineapple."
Read it. Seriously. Between Mr. Fusspot the toffee-eating dog (and chairman of the bank) and a golem who hasn't heard of women's lib, you won't be able to escape this book's charms.
- Reviewed in Canada on September 28, 2023Moist, a former cat burglar-turned-head-of-the-post-office, is given the position of chief of the bank, and nefarious forces must now get rid of him. This one grew on me. I'd tried to read Terry Pratchett before and couldn't get into his work, but this one I found marvellously funny—not guffaw-out-loud, but I had a constant smirk all the way through the audiobook.
- Reviewed in Canada on November 19, 2007In "Going Postal", Pratchett introduced Moist von Lipwig, a condemned confidence trickster, at his "end", hanged at the order of Ankh-Morpork's Patrician, Havelock Vetinari. It wasn't Moist who was executed, however, but Albert Spangler, his most frequently used alias. That identity was swept away to enable Lord Vetinari's wish to rejuvenate the City's postal system. Moist was up to the task, transforming an ancient, creaking and nearly obsolete civil service into a humming success. The rejuvenation kept the post office a City institution instead of divested into greedy, private hands.
But success isn't Moist's desired state. He craves danger, illicit activity, deception and the thrill of the chase. To keep his hand in, he must break into his own post office! Vetinari didn't spare Moist on a whim. He knows his man and his methods, deftly manoeuvring the talented thief for his own ends. "Tyrant" or no, Vetinari lives for the City of Ankh-Morpork, using whatever means available to keep it going effectively. With no other vested interest and lacking anything like an army for enforcing his aims, Vetinari relies on guile and one of the most devious personalities in literature. He uses that talent to manoeuvre Moist's taking over the Royal Bank and Mint. Moist will be "making money" in a new way.
"Ankh-Morpork" of course, won't be found in any Rand McNally [in case you were thinking of looking]. That's because Vetinari's City is the largest on the Discworld. Pratchett has produced over three dozen books on this world, which is only partly imaginary. His slogan for the series: "Discworld is a world, and a mirror of worlds" reveals the reflection there is us. There are a few exotic characters residing on the Discworld. The City Watch hires trolls, dwarves and even promoted a werewolf to Sergeant, for example. These are minor characters here, although golems move to near-centre stage in this tale. One of them, who's discovered "ladies' magazines" and books on deportment, has donned a blue dress and dubbed herself "Gladys". She is Moist's personal maid, demurely turning her back when he dresses.
Golems are seen as a threat by many in Ankh-Morpork. They do the repetitive, mindless tasks without murmur or complaint. If they cause job loss with such behaviour, however, the economy will suffer - as will the Bank. Run by the Chief Cashier, Malvolio Bent, who staunchly defends traditional standards, innovation has little place in the Bank. A nephew of the former Chairman has introduced speculative forecasting on the City's economy, including what might transpire in conditions of mass unemployment. Scorning anything as crude as an abacus, Hubert has expanded on the ancient water clock to create The Glooper, a maze of glass pipes, valves and buckets to trace the impact of small changes in the flow of money. Hubert calls it his "analogy machine". Silicon being the basis for glass and computers is a point to remember.
Hubert is a Lavish, the family that has run and controlled the Royal Bank for generations. The Lavishes, are, well, lavish. They are Old Money, which means they know how to save, spend, and use it for their own ambitions. One Lavish, Cosmo, has even more grandiose plans - take over the management of the Bank, and depose Vetinari in the process. Moist, as the new Master of the Royal Mint, and keeper of the present Chairman, a multi-breed dog named Mr Fusspot, stands in Cosmo's path. Moist seems immune from Cosmo's machinations, until a figure from the past arrives. Cribbins knows Albert Spangler from old and intends to benefit from the knowledge. Only Vetinari is aware of who Moist actually is, keeping that secret for his own purposes. Now, Moist's past is rising up like a restless shade. How will Ankh-Morpork respond when it learns their admired Postmaster and Master of the Royal Mint is a former crook? Especially when it's discovered that the gold reserve keeping the economy ticking over and backing up Moist's innovation of paper money has mysteriously disappeared?
To those who've read Pratchett, extolling his style and wit will be redundant. He's a master at word bending, double meaning and adapting. The Bank's cellar, a huge vault, was excavated by a former Chairman on speculation that it would attract a beneficent god. "If we build it, wilt thou comest?" is a typical Pratchett tossed-off line. Yet, as any fan will testify, he's not limited to petty wit. He understands issues confronting us all, conveying them with panache. He does this through his characters, at whose creation Pratchett is a master. Moist is one of his finer efforts, but his on-going depiction of Vetinari through the Discworld series has made him a favoured character: "Do I need to wear a badge that says tyrant?" Pratchett's characterisations, and the twists and arabesques of his plots, spiced with an accomplished knowledge of his topic, keeps his books not only on the "Must Read" list, but rewards those who pick them up again and again. [stephen a. haines - Ottawa, Canada]
Top reviews from other countries
-
PerseusReviewed in Germany on January 6, 2009
5.0 out of 5 stars Terry Pratchett wird seinen Standards gerecht
Verified Purchase"Making Money" ist ein Buch, das sich nahtlos in die mittlerweile doch recht ernsthaften Scheibenweltbücher einreiht. Pratchett hat nach dem "Abschluss" der Wächterbücher systematisch begonnen, den Betrüger Moist von Lipwig durch Vetinari aufbauen zu lassen. Das Thema ist das (marode) Finanzsystem von Ankh-Morpork; die zentralen Fragen sind "Was macht eigentlich den Wert einer Stadt aus?", "Wie funktioniert ein Finanzsystem?" und "Warum hat Geld eigentlich einen Wert?".
In gekonnt ironischer Manier zeigt uns Pratchett, wie wenig Rationalität hinter vermeintlich rationalen Dingen wie Banken steckt. Nicht zuletzt sind einige Dinge in Zeiten der Finanzkrise erschreckend nahe an der Realität...
Für Freunde der Scheibenwelt ist das Buch ein Muss, für neue Leser würde ich eher zuerst "Going Postal" lesen.
Zum Inhalt: Nachdem Moist von Lipwig die Post wiederaufgebaut hat und sich aufgrund mangelnder Aufregung langweilt, erhält er von Lord Vetinari den Auftrag, die Bank und die Münze von Ankh-Morpork zu übernehmen. Beide Institutionen wurden von seinen Vorgängern missachtet und (im wahrsten Sinne des Wortes) als Lizenz zum Gelddrucken genutzt, ohne auf die Bedürfnisse der Bürger und der Stadt einzugehen.
Moist beginnt also recht schnell, die elitäre Bank für das einfache Volk zu öffnen. Seine Pläne, eine sinnvollere Währung einzuführen, stoßen bei der Oberschicht nicht gerade auf viel Gegenliebe. Nebenbei muss er sich mit den üblichen Problemen herumschlagen: Seine Freundin ist nur am Reisen und denkt an ihre Golems, die herrschenden Familien wollen ihn absetzen und ein Verrückter versucht, Vetinaris Platz einzunehmen.
Eben der ganz normale Scheibenweltwahnsinn.
-
LeoReviewed in Italy on September 27, 2021
5.0 out of 5 stars Ottimo
Verified PurchaseOttimo libro, il secondo del personaggio Lipwig
- Lonya53Reviewed in the United States on September 20, 2007
5.0 out of 5 stars Money for nothing and your clacks for free
Verified PurchaseIt seems, after reading Terry Pratchett's latest Discworld novel "Making Money", that money does make the world go `round, even if that world is flat and balanced on the backs of four elephants standing on the back of a giant turtle.
In "Making Money", Terry Pratchett and his `hero' Moist von Lipwig do for and to the monetary system exactly what they did for and to the post office in "Going Postal". The result is the same - - - - a Buster Keaton-like romp through the strange and wonderful world of Discworld.
It is impossible to detail the plot of this book without giving away spoilers so I think it best just to say that Lord Vetinari has determined that Ankh-Morpork's monetary system is in dire straits and in need of improvement. Vetinari picks, in his inimitable way, Moist von Lipwig to lead the way. In essence, Moist is set-up by Vetinari to become Ankh-Morpork's Alan Greenspan. Unlike Greenspan, however, Moist must deal with a cast of characters that have no idea as to what Moist is up to or trying to achieve. (Well, maybe that isn't so unlike Greenspan!).
"Making Money" feature a cast of old but mostly new characters. As to established characters, Vetinari is featured and his is as delightfully Machiavellian as ever. There are cameo appearances by DEATH, the Watch, and CMOT Dibbler. However, new or newer characters play the largest roles. Moist's second appearance is terrific. Pratchett does a very nice job turning him into what I hope is a regular role. Moist's girlfriend the chain-smoking Adore Belle Dearheart makes her presence felt. Mr. Bent, the oh-so serious bank manager plays straight man to Moist's light-hearted con-man character. Bent is tied to the old ways - where money must be based on gold and nothing but gold. There is something very William Jennings Bryan-like about Bent and his straight-laced approach is the perfect foil for Moist's extraordinarily flexible approach to monetary issues. Moist's antagonists are the Lavish family, Cosmo Lavish and his rather large sister Pucci (of whom Pratchett says in a great line, "she had no idea how to handle people and she tried to make self-esteem do the work of self-respect, but the girl could flounce better than a fat turkey on a trampoline".) They make good foils for Moist and Vetinari.
As always the plot has many twists and turns and one-liners fly almost as fast as the slings and arrows of the Assassins' Guild. Pratchett has a great way with humor and manages to combine that humor with a good deal of insight into how `things' work in the real world. His look at the monetary system in "Making Money" can now stand with Pratchett's look at rock music Soul Music, religion Small Gods, the post office Going Postal, and movies Moving Pictures as some very funny looks at our world through the prism of Discworld.
"Making Money" was a fun book for me to read. It was typical Pratchett (high praise) and I think most Pratchett fans will enjoy it. I certainly did. L. Fleisig
- Jeremy BorotReviewed in France on September 15, 2021
5.0 out of 5 stars Terry Pratchett is always a pleasure
Verified PurchaseGreat book, as most of the Discworld series. You will find a bunch of the usual characters you like. The Patrician appears more than in others. The plot is meager (as always) but the fun is intense.
The sad part about this one is: there are only a few left. I have been reading them one by one for years and I have been decelerating recently. Too bad. What will I read on vacation when I reached the last one?