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A vibrant historical novel chronicling the turbulent life of Elizabeth of York, Henry VIII’s mother and the first queen of the Tudor dynasty, from the New York Times bestselling author hailed as “the finest historian of English monarchical succession writing” (The Boston Globe)
“Superbly readable and engaging.”—Historical Novels Society
Elizabeth of York is the oldest daughter of King Edward IV. Flame-haired, beautiful, and sweet-natured, she is adored by her family; yet her life is suddenly disrupted when her beloved father dies in the prime of life. Her uncle, the notorious Richard III, takes advantage of King Edward’s death to grab the throne and imprison Elizabeth’s two younger brothers, the rightful royal heirs. Forever afterward known as “the Princes in the Tower,” the boys are never seen again. On the heels of this tragedy, Elizabeth is subjected to Richard’s overtures to make her his wife, further legitimizing his claim to the throne.
As if in a fairy tale, Elizabeth is saved by Henry Tudor, who challenges Richard and defeats him at the legendary Battle of Bosworth Field. Following his victory, Henry becomes king and asks Elizabeth to be his wife, the first queen of the Tudor line. The marriage is happy and fruitful, not only uniting the warring houses of Lancaster and York—the red and white roses—but producing four surviving children, one of whom, Henry VIII, will rule the country for the next thirty-six years.
In The Last White Rose, Alison Weir captures the personality of one of Britain’s most important consorts, conveying Elizabeth of York’s dramatic life in a novel that is all the richer because of its firm basis in history.
“Superbly readable and engaging.”—Historical Novels Society
Elizabeth of York is the oldest daughter of King Edward IV. Flame-haired, beautiful, and sweet-natured, she is adored by her family; yet her life is suddenly disrupted when her beloved father dies in the prime of life. Her uncle, the notorious Richard III, takes advantage of King Edward’s death to grab the throne and imprison Elizabeth’s two younger brothers, the rightful royal heirs. Forever afterward known as “the Princes in the Tower,” the boys are never seen again. On the heels of this tragedy, Elizabeth is subjected to Richard’s overtures to make her his wife, further legitimizing his claim to the throne.
As if in a fairy tale, Elizabeth is saved by Henry Tudor, who challenges Richard and defeats him at the legendary Battle of Bosworth Field. Following his victory, Henry becomes king and asks Elizabeth to be his wife, the first queen of the Tudor line. The marriage is happy and fruitful, not only uniting the warring houses of Lancaster and York—the red and white roses—but producing four surviving children, one of whom, Henry VIII, will rule the country for the next thirty-six years.
In The Last White Rose, Alison Weir captures the personality of one of Britain’s most important consorts, conveying Elizabeth of York’s dramatic life in a novel that is all the richer because of its firm basis in history.
- LanguageEnglish
- PublisherBallantine Books
- Publication dateMay 10 2022
- File size9.4 MB
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Sold by: Random House Canada, Incorp.
Shop this series
There are 2 books in this series.
Kindle Price:
$30.98
-
By clicking on above button, you agree to 鶹's Kindle Store Terms of Use
Sold by: Random House Canada, Incorp.
Sold by: Random House Canada, Incorp.
This option includes 2 books.
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From the Publisher
Product description
Review
Praise for The Last White Rose
“Weir tells the story through Elizabeth’s eyes, narrating it in the first person.As with all her books, it issuperbly readable and engaging. I doubt we will ever tire of the Tudors, not while we have novelists like Weir to bring them to life.”—Historical Novels Society
“Weir providesa realistic feelfor the worry Elizabeth’s family experiences as their fortunes shift, especially after Richard III usurps the throne following King Edward’s death, and her brothers disappear while in his custody.The story gives a coherent, convincing pictureofthe treacherous political climate and its many players and reveals why Elizabeth plots to marry Henry Tudor. . . . .Weir’s thorough approach to her subject is impressive, as is the sumptuously recreated atmosphere of late-medieval royal life.”—Booklist
Praise for Katharine Parr, The Sixth Wife
“Like its predecessors, this is a detailed and convincing portrait of an extraordinary life. Taken as a whole, this series is a serious achievement.”—The Times
“Weir delivers engaging historical characters, filling the white spaces of their lives with believable interests, convincing motivation, and realistic daily routines. . . . The conversations are sparkling, gripping and word-perfect. . . . This masterly novel seamlessly blends history into the story’s fabric. A superb read and a remarkable end to a brilliant series.”—Historical Novel Society
“Engaging and deeply researched . . . [Alison] Weir brings her expertise of the Tudor era to bear with rich detail and historical perspective on politics and religion, and the many intelligent conversations between Katharine and Henry VIII add to the charm. With a mercurial, captivating king as hook, Weir serves up a sharp and lucid blend of grim fact and stylish fiction.”—Publishers Weekly
“A solid choice for Tudor enthusiasts looking for a well-researched, entertaining novel.”—Library Journal
“Wٳ Katharine Parr, The Sixth Wife . . . Weir cements her well-deserved renown as a novelist and historian who elevates both genres far beyond expectation. . . . . Perhaps most poignant and memorable is Weir’s creative entry into the depths of a Tudor queen’s heart and mind. Katharine’s personality seems no mere fantasy, but an honest and empathic embrace of feminine power and vulnerability that is deeply relatable for women of every historical era.”—Bookreporter
“This brilliant series has brought Henry VIII’s six wives to life as never before. This novel will enthrall and inspire, just as much as it will break your heart.”—Tracy Borman, author of The Private Lives of the Tudors
“Weir tells the story through Elizabeth’s eyes, narrating it in the first person.As with all her books, it issuperbly readable and engaging. I doubt we will ever tire of the Tudors, not while we have novelists like Weir to bring them to life.”—Historical Novels Society
“Weir providesa realistic feelfor the worry Elizabeth’s family experiences as their fortunes shift, especially after Richard III usurps the throne following King Edward’s death, and her brothers disappear while in his custody.The story gives a coherent, convincing pictureofthe treacherous political climate and its many players and reveals why Elizabeth plots to marry Henry Tudor. . . . .Weir’s thorough approach to her subject is impressive, as is the sumptuously recreated atmosphere of late-medieval royal life.”—Booklist
Praise for Katharine Parr, The Sixth Wife
“Like its predecessors, this is a detailed and convincing portrait of an extraordinary life. Taken as a whole, this series is a serious achievement.”—The Times
“Weir delivers engaging historical characters, filling the white spaces of their lives with believable interests, convincing motivation, and realistic daily routines. . . . The conversations are sparkling, gripping and word-perfect. . . . This masterly novel seamlessly blends history into the story’s fabric. A superb read and a remarkable end to a brilliant series.”—Historical Novel Society
“Engaging and deeply researched . . . [Alison] Weir brings her expertise of the Tudor era to bear with rich detail and historical perspective on politics and religion, and the many intelligent conversations between Katharine and Henry VIII add to the charm. With a mercurial, captivating king as hook, Weir serves up a sharp and lucid blend of grim fact and stylish fiction.”—Publishers Weekly
“A solid choice for Tudor enthusiasts looking for a well-researched, entertaining novel.”—Library Journal
“Wٳ Katharine Parr, The Sixth Wife . . . Weir cements her well-deserved renown as a novelist and historian who elevates both genres far beyond expectation. . . . . Perhaps most poignant and memorable is Weir’s creative entry into the depths of a Tudor queen’s heart and mind. Katharine’s personality seems no mere fantasy, but an honest and empathic embrace of feminine power and vulnerability that is deeply relatable for women of every historical era.”—Bookreporter
“This brilliant series has brought Henry VIII’s six wives to life as never before. This novel will enthrall and inspire, just as much as it will break your heart.”—Tracy Borman, author of The Private Lives of the Tudors
About the Author
Alison Weir is the New York Times bestselling author of the novels Katheryn Howard, The Scandalous Queen; Anna of Kleve, The Princess in the Portrait; Jane Seymour, The Haunted Queen; Anne Boleyn, A King's Obsession; Katherine of Aragon, The True Queen; The Marriage Game; A Dangerous Inheritance; Captive Queen; The Lady Elizabeth; and Innocent Traitor, as well as numerous historical biographies, including Queens of the Crusades; Queens of the Conquest, The Lost Tudor Princess, Elizabeth of York, Mary Boleyn, The Lady in the Tower, Mistress of the Monarchy, Henry VIII, Eleanor of Aquitaine, The Life of Elizabeth I, and The Six Wives of Henry VIII. She lives in Surrey, England.
Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1
1470
“Wake up, Bessy! Wake up!”
Elizabeth stirred, roused by the unfamiliar whisper. What was her mother the Queen doing here, shaking her? It was usually Lady Berners who came to wake her with a smile and a “Good morning, my lady Princess.” But Mother was not smiling, and Lady Berners, holding a candle aloft, was standing in the doorway with Mistress Jakes, the wet nurse, who had baby Cecily in her arms. With them was Grandmother Rivers, holding a sleepy little Mary by the hand. They were all dressed for outdoors. But it was still dark and, beyond the narrow window, there was no sign of dawn breaking.
“What’s wrong?” Elizabeth asked, instantly awake.
“Shh!” the Queen hissed, putting a finger to her lips. “We must all be very quiet. Get up and I’ll put you into some warm clothes.”
Mother was dressing her? Her lady mother, whose queenly hands never deigned to do everyday tasks? Something must be badly amiss.
Mother gave a faint smile. “I and my sisters had to shift for ourselves before I became queen.” She lifted Elizabeth’s night-rail over her head, put on her smock and her green woolen winter gown and wrapped her cloak around her, pulling the hood down over her face. Then she took her own cloak from Grandmother Rivers and wrapped herself in it, concealing her swollen belly. She turned to the other women. “Let us go.” There was an urgency in her lowered voice.
“My lady, what’s happening?” Elizabeth asked, completely bewildered.
“Hush! I will tell you later. Now, not a word. We all have to be very quiet.”
The four women hurried the children through the Lanthorn Tower, holding their breath as they passed the open door of the room where the sentries, who were supposed to be on watch, were—luckily—snoring soundly. And then they were out on the wall walk and hurrying down the stairs and along Water Lane, to the postern gate of the Tower of London, which had been left ajar.
“Thank God for a loyal guard,” Mother breathed. Tightly holding Elizabeth’s hand, she led her down the Queen’s Stairs to the wharf, where several small craft were tied up. Lady Berners hailed a boatman.
“Westminster Stairs!” she said.
“Right-ho,” he answered, taking the baby from her as she boarded. The Queen and Elizabeth followed, with Grandmother Rivers, the wet nurse, and Mary climbing on deck last. The boatman adjusted his oars and pulled out into the Thames.
The water was black and sinister. Elizabeth shivered with fear and the chill of the early-October night. Around them, London slept. From the darkness came the distant voice of the watch: “Three o’clock, and all’s well.”
“If only it was,” Grandmother whispered.
Elizabeth was desperate to know what was wrong, but she obeyed her mother and kept silent, wondering why they were going to Westminster at this time of night.
“It’s late for you good ladies to be out,” the boatman observed as they passed Baynard’s Castle, where Elizabeth’s Grandmother York, who was far sterner than Grandmother Rivers, lived. Did she know about this adventure they were having? Maybe she was asleep, like everyone else.
“We are going to my daughter, who is travailing with child as we speak,” Lady Berners said. “I’ve had word that things are critical.”
Elizabeth was surprised, for Lady Berners’s married daughter Anne had only just had a baby, while the other daughter was as yet unwed—and Lady Berners had always impressed on her that it was wrong to tell lies.
“We’ll get you there quickly, then,” the boatman said kindly, and began rowing harder. Elizabeth saw the women exchange glances.
Soon, she could make out the sprawling bulk of the palace of Westminster looming ahead. The boatman pulled in at the jetty and then they were hurrying up the stairs, huddling together as they hastened alongside the wall that enclosed the palace yard. Elizabeth was disappointed when they did not enter the gate, but instead moved away from the palace; she had been entertaining fond notions that they were going to her father the King, who would make whatever was wrong right again. It was a long time since she had seen him. She and her two little sisters had been staying with Mother in the Tower palace for what seemed like ages.
They were passing Westminster Abbey now and walking through St. Margaret’s churchyard. Soon it became appallingly clear that Mother was heading for the great sanctuary building that stood opposite. It was grim and stark, like a church in form, but exuding menace, not holiness. Young as she was, Elizabeth knew that bad people lived there, murderers and thieves. Once, after she had had a nightmare about being trapped in there, Lady Berners had explained that anyone could claim sanctuary, which meant that no one could arrest them or bring them to justice because they were on holy ground, under the protection of St. Peter.
Holy ground it might be, but it was an evil place and Elizabeth was terrified of going there. Tears came as she shrank, whimpering, from the prospect.
“Hush,” Mother said, her grip tightening.
Elizabeth was too frightened to heed her. “But why are we going here, my lady? We haven’t done anything wrong. We’re not thieves.”
“Bessy, be quiet. I will explain everything soon.”
A hand descended on Elizabeth’s shoulder. She looked up to see her grandmother smiling down at her. “God is surely watching over us, child,” she said. “He will provide for the best.”
They had reached the stout oak door now and Elizabeth, trembling, saw her mother hesitate, then rap on it with the iron knocker.
After what seemed like an age, a monk opened the door. “God be with you, my sisters. Whom do you seek?”
“Alas, Brother,” Mother said, “we are not here as visitors. We have come to claim sanctuary.”
There was a pause while the monk stared at them all. “Are you debtors? I cannot credit that such fine ladies can be guilty of any crime. And there are children with you—we don’t admit—”
“I am your Queen,” Mother said, putting on that icy look that quelled most people, “and I and my children are in danger. The King has fled the realm and my lord of Warwick and the Duke of Clarence are marching on London. I beg of you, grant us sanctuary.”
Elizabeth listened in confusion. Father had fled his kingdom? And why did they have to run away from her godfather Warwick and her uncle Clarence? She had been vaguely aware that there had been quarrels in the family, and she knew that her mother hated both men, but she had no idea why.
“Her Grace is near her time,” Grandmother said.
“Pray come in and sit down while I fetch Father Abbot,” the monk invited, looking nervous.
As they entered the building, Elizabeth peered about her, frightened lest she see desperate men materializing out of the dimness, but, to her relief, the vast chapel-like space was almost deserted. There were just two sleeping forms, wrapped in their cloaks, lying on the straw at the far end.
Mother sank down on the bench just inside the door. Her froideur had vanished and there were tears on her cheeks. “I cannot believe this is happening,” she whispered.
“Don’t cry, my lady,” Elizabeth pleaded, as her grandmother gathered the stricken Queen to her bosom and three-year-old Mary started wailing. Lady Berners bent to comfort her, a whimpering Cecily still in the crook of her arm.
“You must leave, Lady Berners,” the Queen said, recovering herself and reaching for the baby. “They will not be interested in you.”
“But the children, Madam,” the governess protested as both Elizabeth and Mary clung to her skirts, crying.
“Don’t leave us!” they begged.
“It is an order,” the Queen said. “I would not have you shut in with us when you don’t need to be. It is different for Mistress Jakes.” She looked at the wet nurse. “I cannot let her go. As soon as the situation improves, I will send for you. Quiet, children! You will have me and Grandmother Rivers to look after you, and you will see Lady Berners soon.”
“As your Grace wishes,” Lady Berners said, but Elizabeth could see that she was not happy about leaving. “I dare say I will find an inn tonight, and tomorrow I’ll go to Windsor, trusting that my husband is still constable of the castle.”
“God go with you,” the Queen said. “Pray for us!”
1470
“Wake up, Bessy! Wake up!”
Elizabeth stirred, roused by the unfamiliar whisper. What was her mother the Queen doing here, shaking her? It was usually Lady Berners who came to wake her with a smile and a “Good morning, my lady Princess.” But Mother was not smiling, and Lady Berners, holding a candle aloft, was standing in the doorway with Mistress Jakes, the wet nurse, who had baby Cecily in her arms. With them was Grandmother Rivers, holding a sleepy little Mary by the hand. They were all dressed for outdoors. But it was still dark and, beyond the narrow window, there was no sign of dawn breaking.
“What’s wrong?” Elizabeth asked, instantly awake.
“Shh!” the Queen hissed, putting a finger to her lips. “We must all be very quiet. Get up and I’ll put you into some warm clothes.”
Mother was dressing her? Her lady mother, whose queenly hands never deigned to do everyday tasks? Something must be badly amiss.
Mother gave a faint smile. “I and my sisters had to shift for ourselves before I became queen.” She lifted Elizabeth’s night-rail over her head, put on her smock and her green woolen winter gown and wrapped her cloak around her, pulling the hood down over her face. Then she took her own cloak from Grandmother Rivers and wrapped herself in it, concealing her swollen belly. She turned to the other women. “Let us go.” There was an urgency in her lowered voice.
“My lady, what’s happening?” Elizabeth asked, completely bewildered.
“Hush! I will tell you later. Now, not a word. We all have to be very quiet.”
The four women hurried the children through the Lanthorn Tower, holding their breath as they passed the open door of the room where the sentries, who were supposed to be on watch, were—luckily—snoring soundly. And then they were out on the wall walk and hurrying down the stairs and along Water Lane, to the postern gate of the Tower of London, which had been left ajar.
“Thank God for a loyal guard,” Mother breathed. Tightly holding Elizabeth’s hand, she led her down the Queen’s Stairs to the wharf, where several small craft were tied up. Lady Berners hailed a boatman.
“Westminster Stairs!” she said.
“Right-ho,” he answered, taking the baby from her as she boarded. The Queen and Elizabeth followed, with Grandmother Rivers, the wet nurse, and Mary climbing on deck last. The boatman adjusted his oars and pulled out into the Thames.
The water was black and sinister. Elizabeth shivered with fear and the chill of the early-October night. Around them, London slept. From the darkness came the distant voice of the watch: “Three o’clock, and all’s well.”
“If only it was,” Grandmother whispered.
Elizabeth was desperate to know what was wrong, but she obeyed her mother and kept silent, wondering why they were going to Westminster at this time of night.
“It’s late for you good ladies to be out,” the boatman observed as they passed Baynard’s Castle, where Elizabeth’s Grandmother York, who was far sterner than Grandmother Rivers, lived. Did she know about this adventure they were having? Maybe she was asleep, like everyone else.
“We are going to my daughter, who is travailing with child as we speak,” Lady Berners said. “I’ve had word that things are critical.”
Elizabeth was surprised, for Lady Berners’s married daughter Anne had only just had a baby, while the other daughter was as yet unwed—and Lady Berners had always impressed on her that it was wrong to tell lies.
“We’ll get you there quickly, then,” the boatman said kindly, and began rowing harder. Elizabeth saw the women exchange glances.
Soon, she could make out the sprawling bulk of the palace of Westminster looming ahead. The boatman pulled in at the jetty and then they were hurrying up the stairs, huddling together as they hastened alongside the wall that enclosed the palace yard. Elizabeth was disappointed when they did not enter the gate, but instead moved away from the palace; she had been entertaining fond notions that they were going to her father the King, who would make whatever was wrong right again. It was a long time since she had seen him. She and her two little sisters had been staying with Mother in the Tower palace for what seemed like ages.
They were passing Westminster Abbey now and walking through St. Margaret’s churchyard. Soon it became appallingly clear that Mother was heading for the great sanctuary building that stood opposite. It was grim and stark, like a church in form, but exuding menace, not holiness. Young as she was, Elizabeth knew that bad people lived there, murderers and thieves. Once, after she had had a nightmare about being trapped in there, Lady Berners had explained that anyone could claim sanctuary, which meant that no one could arrest them or bring them to justice because they were on holy ground, under the protection of St. Peter.
Holy ground it might be, but it was an evil place and Elizabeth was terrified of going there. Tears came as she shrank, whimpering, from the prospect.
“Hush,” Mother said, her grip tightening.
Elizabeth was too frightened to heed her. “But why are we going here, my lady? We haven’t done anything wrong. We’re not thieves.”
“Bessy, be quiet. I will explain everything soon.”
A hand descended on Elizabeth’s shoulder. She looked up to see her grandmother smiling down at her. “God is surely watching over us, child,” she said. “He will provide for the best.”
They had reached the stout oak door now and Elizabeth, trembling, saw her mother hesitate, then rap on it with the iron knocker.
After what seemed like an age, a monk opened the door. “God be with you, my sisters. Whom do you seek?”
“Alas, Brother,” Mother said, “we are not here as visitors. We have come to claim sanctuary.”
There was a pause while the monk stared at them all. “Are you debtors? I cannot credit that such fine ladies can be guilty of any crime. And there are children with you—we don’t admit—”
“I am your Queen,” Mother said, putting on that icy look that quelled most people, “and I and my children are in danger. The King has fled the realm and my lord of Warwick and the Duke of Clarence are marching on London. I beg of you, grant us sanctuary.”
Elizabeth listened in confusion. Father had fled his kingdom? And why did they have to run away from her godfather Warwick and her uncle Clarence? She had been vaguely aware that there had been quarrels in the family, and she knew that her mother hated both men, but she had no idea why.
“Her Grace is near her time,” Grandmother said.
“Pray come in and sit down while I fetch Father Abbot,” the monk invited, looking nervous.
As they entered the building, Elizabeth peered about her, frightened lest she see desperate men materializing out of the dimness, but, to her relief, the vast chapel-like space was almost deserted. There were just two sleeping forms, wrapped in their cloaks, lying on the straw at the far end.
Mother sank down on the bench just inside the door. Her froideur had vanished and there were tears on her cheeks. “I cannot believe this is happening,” she whispered.
“Don’t cry, my lady,” Elizabeth pleaded, as her grandmother gathered the stricken Queen to her bosom and three-year-old Mary started wailing. Lady Berners bent to comfort her, a whimpering Cecily still in the crook of her arm.
“You must leave, Lady Berners,” the Queen said, recovering herself and reaching for the baby. “They will not be interested in you.”
“But the children, Madam,” the governess protested as both Elizabeth and Mary clung to her skirts, crying.
“Don’t leave us!” they begged.
“It is an order,” the Queen said. “I would not have you shut in with us when you don’t need to be. It is different for Mistress Jakes.” She looked at the wet nurse. “I cannot let her go. As soon as the situation improves, I will send for you. Quiet, children! You will have me and Grandmother Rivers to look after you, and you will see Lady Berners soon.”
“As your Grace wishes,” Lady Berners said, but Elizabeth could see that she was not happy about leaving. “I dare say I will find an inn tonight, and tomorrow I’ll go to Windsor, trusting that my husband is still constable of the castle.”
“God go with you,” the Queen said. “Pray for us!”
Product details
- ASIN : B09BTWZQR8
- Publisher : Ballantine Books
- Accessibility : Learn more
- Publication date : May 10 2022
- Language : English
- File size : 9.4 MB
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 545 pages
- ISBN-13 : 978-0593355046
- Page Flip : Enabled
- Book 1 of 2 : Tudor Rose
- 鶹 Rank: #159,195 in Kindle Store (See Top 100 in Kindle Store)
- #91 in Biographical Fiction (Books)
- #504 in Family Saga
- #2,297 in Family Saga Fiction
- Customer Reviews:
About the author
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Alison Weir lives and works in Surrey. Her books include Britain's Royal Families, The Six Wives of Henry VIII, Children of England, Eleanor of Aquitaine, Henry VIII: King and Court, Mary, Queen of Scots and Isabella: She-Wolf of France.
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2,430 global ratings
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鶹 CustomerReviewed in Spain on May 13, 2024
5.0 out of 5 stars La manera de narrar de Alisson
Verified PurchaseMe encanta cómo ella escribe y a la vez aprendo de la historia
- AshleyReviewed in the United States on June 21, 2022
5.0 out of 5 stars Incredible Novel About Elizabeth of York
Verified PurchaseWOW! This book is phenomenal! It is gripping, intriguing, full of history, emotional, and so much more! Whenever I picked up "The Last White Rose", I was whisked back in time, and went on such a journey with this story.
Alison Weir is one of my absolute favorite authors, and her books are must-reads for me! In her historical fiction novels, she seamlessly blends history and fiction, brings to life historical figures in such a unique and dimensional way, and her storytelling and world-building is spectacular. From the first page to the last, I always feel immersed in the world of the book, and "The Last White Rose" is no different!
This book centers around the life of Elizabeth of York, who became the first Tudor Queen. Throughout, you really feel what Elizabeth is feeling, and come to understand her relationships with those around her. She truly was such a strong and incredible woman.
If you enjoy historical fiction novels, I highly recommend this book! It kept me turning the pages late into the night, and I can't wait to read what Ms. Weir writes next.
Thank you so much to Random House Publishing Group-Ballantine and NetGalley for the ARC of this book, it is unputdownable! All opinions expressed in this review are my own.
- V. O'ReganReviewed in the United Kingdom on January 8, 2023
4.0 out of 5 stars The opening work in Weir’s new Tudor trilogy
Verified Purchase‘Elizabeth of York: The Last White Rose’ is the first in Alison Weir’s new Tudor Rose Trilogy and focuses on the life of Elizabeth of York, the eldest daughter of King Edward IV and Elizabeth Woodville. It was originally published in May 2022 with the paperback out in February. I combined reading with its unabridged audiobook edition.
She is born into turbulent times as the Houses of Lancaster and York battle for the crown of England. Elizabeth dreams of a crown of her own. Following the disappearance of her brothers from the Tower and her uncle seizing power as Richard III, there is discussion about seeking a papal dispensation for Richard to wed her.
Then comes Bosworth and with the death of Richard, Henry Tudor becomes king. His marriage to Elizabeth successfully unites the white rose of York and the red rose of Lancaster.
The novel spans Elizabeth’s life from her time as Princess, through marriage and motherhood through to her death aged only thirty-seven.
I appreciated how well Weir set out the complex political climate of the period, including the number of challenges to Henry VII’s throne. In addition, I felt that she did well in fleshing out her characters whether major historical figures or those behind the scenes.
In her Author’s Note Weir writes that this “novel is closely based on the research I undertook for my biography, Elizabeth of York: The First Tudor Queen (2013).” She then clarifies where she utilised dramatic licence to create a better narrative flow.
I will note that Weir’s stance on the fate of the York princes differs from my own. She explains that in “a work of history, it is possible to state that the evidence suggests one theory or another, and to lay out the facts and weigh the arguments. In fiction, you have to decide where you are going with the story. Here, I have offered what I believe to be the most credible explanation of what happened to the Princes.”
Following her Note there is a comprehensive Dramatis Personae, a detailed timeline, and Reading Group Questions.
I know from reading other of her works that Weir holds herself to a high standard of authenticity. As I am myself a stickler for accuracy in historical fiction, I appreciated this. Still, although I feel that her storytelling skills have improved, I continue to feel that Weir is stronger as a writer of royal biographies than of historical fiction.
Having said this, I find her novels very readable even if there aren’t as many creative flourishes as in other works of historical fiction. With Weir I am confident that I can trust her account of events to be faithful to existing sources/research. I feel that they are educational as well as transporting me to another time.
Overall, I found ‘Elizabeth of York: The Last White Rose’ an engaging read. I am looking forward to the publication of Book 2, ‘Henry VIII: The Heart and the Crown’, this comung May.