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  • Inventing the Classics: Modernity, National Identity, and Japanese Literature
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Inventing the Classics: Modernity, National Identity, and Japanese Literature Paperback – Illustrated, Jan. 1 2002

4.7 out of 5 stars 5 ratings

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Today the term "Japanese literary classics" implies such texts as the Man'yoshu, Kojiki, Tale of Genji, Tale of the Heike, Noh drama, and the works of Saikaku, Chikamatsu, and Basho, which are considered the wellspring and embodiment of Japanese tradition and culture. Most of these texts, however, did not become "classics" until the end of the nineteenth century, in a process closely related to the emergence of Japan as a modern nation-state and to the radical reconfiguration of notions of literature and learning under Western influence. As in Europe and elsewhere, the construction of a national literature and language with a putative ancient lineage was critical to the creation of a distinct nation-state. This book addresses the issue of national identity and the ways in which modern European disciplinary notions of "literature" and genres played a major role in the modern canonization process. These "classics" did not have inherent, unchanging value; instead, their value was produced and reproduced by various institutions and individuals in relation to socio-economic power. How then were these texts elevated and used? What kinds of values were given to them? How was this process related to larger social, political, and religious configurations? This book, which looks in depth at each of the major "classics," explores these questions in a broad historical context, from the medieval period, when multiple canons competed with each other, through the early modern and modern periods. Throughout, the essays focus on the roles of schools, commentators, and socio-religious institutions, and on issues of gender. The result is a new view of the transformation of the Japanese canon and its intimate connection with the issue of national and cultural identity.

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"Inventing the Classics fills a major gap in Japanese literary studies in its presentation of ten original, sophisticated, and cogently argued essays on the process of the construction of 'Japanese literature' as it is known today. The volume combines a richly detailed historical approach to the study of canon formation with a nuanced theoretical discussion of the relevance of canon formation to the formation of a Japanese cultural and national identity. It also sheds important light on the changing socio-political function of specific works and genres."―Janet Walker, Rutgers University

"The collection presents a truly significant contribution to the study of Japanese literature. . . . All the essays are solidly researched and lucidly written, and the volume is certain to be widely used and cited."―
Journal of Asian Studies

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Today the term "Japanese literary classics" implies such texts as the Man'yoshu, Kojiki, Tale of Genji, Tale of the Heike, Noh drama, and the works of Saikaku, Chikamatsu, and Basho, which are considered the wellspring and embodiment of Japanese tradition and culture. Most of these texts, however, did not become "classics" until the end of the nineteenth century, in a process closely related to the emergence of Japan as a modern nation-state and to the radical reconfiguration of notions of literature and learning under Western influence. As in Europe and elsewhere, the construction of a national literature and language with a putative ancient lineage was critical to the creation of a distinct nation-state.
This book addresses the issue of national identity and the ways in which modern European disciplinary notions of "literature" and genres played a major role in the modern canonization process. These "classics" did not have inherent, unchanging value; instead, their value was produced and reproduced by various institutions and individuals in relation to socio-economic power. How then were these texts elevated and used? What kinds of values were given to them? How was this process related to larger social, political, and religious configurations?
This book, which looks in depth at each of the major "classics," explores these questions in a broad historical context, from the medieval period, when multiple canons competed with each other, through the early modern and modern periods. Throughout, the essays focus on the roles of schools, commentators, and socio-religious institutions, and on issues of gender. The result is a new view of the transformation of the Japanese canon and its intimate connection with the issue of national and cultural identity.

Product details

  • Publisher ‏ : ‎ Stanford University Press
  • Publication date ‏ : ‎ Jan. 1 2002
  • Edition ‏ : ‎ 1st
  • Language ‏ : ‎ English
  • Print length ‏ : ‎ 352 pages
  • ISBN-10 ‏ : ‎ 0804741050
  • ISBN-13 ‏ : ‎ 978-0804741057
  • Item weight ‏ : ‎ 476 g
  • Dimensions ‏ : ‎ 15.24 x 2.24 x 22.86 cm
  • 鶹 Rank: #139,471 in Books (See Top 100 in Books)
  • Customer Reviews:
    4.7 out of 5 stars 5 ratings

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Haruo Shirane
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Haruo Shirane was born in Japan and grew up in the United States. He had an interest in writing fiction and started as an English literature major in college, but in his junior year, after a year in London, he turned his attention to Japanese literature. His first book was on The Tale of Genji, which is noted as the world’s “first novel.” The Bridge of Dreams: A Poetics of the Tale of Genji looks at both the similarities to the modern European novel and at the very distinct differences, examining the Tale of Genji in a broad social, political, and literary context. His next major book was on Matsuo Basho and haiku. Here he begins with a comparative framework, looking at the North American and European reception of Japanese haiku and then goes on to show the highly unusual manner in which this poetry emerged and the cultural base on which it stands. The most recent book, Japan and the Culture of the Four Seasons, continues this trajectory, but carries it into various literary, visual, and artistic genres. He is interested in particular in the major role that nature and the four seasons has in Japanese culture.

In between these books, he has written two books on Japanese classical grammar, edited a number of anthologies of Japanese literature, and edited two volumes of essays on the issues of canonization and popularization of the Japanese classics.

Haruo Shirane is Shincho Professor of Japanese Literature and Culture, Department of East Asian Languages and Cultures, at Columbia University. He writes widely on Japanese literature, visual arts, and cultural history. He is particularly interested in the interaction between popular and elite cultures and the issue of cultural memory. He is the recipient of Fulbright, Japan Foundation, SSRC, NEH grants, and has been awarded the Kadokawa Genyoshi Prize, Ishida Hakyō Prize, and the Ueno Satsuki Memorial Prize on Japanese Culture.

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