From School Library Journal
Adult/High School - From midday Saturday, April 26, 2003, until midday Thursday, May 1, Ralston was pinned between a boulder and a canyon wall in a remote area of Canyonlands National Park in Utah. He had little food and water. No one would even wonder where he was until he didn't show up for work on Tuesday. Unable to sit, lie down, use his right arm (that was the part between the rock and the wall), or sleep, he knew right away that he was in for an excruciatingly difficult time. Those 120 hours of what he calls "uninterrupted experience" tested to the fullest his physical, mental, emotional, and spiritual being. His eventual rescue led to international headlines, partially due to his dramatic means of escape: he severed his arm with a cheap, dull, dirty knife. This is a searing and amazingly detailed rendition of his ordeal, along with accounts of several of Ralston's previous wilderness adventures. He is one active and tough guy, but readers never get the sense that he is boastful or seeking notoriety. Rather, he seems genuinely intrigued, even mildly befuddled, by his insatiable drive to be active in the wild. One could say he takes too many risks, and that he has a tendency toward carelessness. He himself notes this. But the man's drive and devotion to his calling are nothing but admirable. Sixteen pages of color photographs add considerably to readers' experience of this nuanced, gripping survival story that belongs in most collections. - Robert Saunderson, Berkeley Public Library, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an alternate kindle_edition edition. From Publishers Weekly
Ralston's story is one of the most gut-wrenching and compelling real-life adventures in recent years: in early 2003, the avid rock-climber and outdoorsman became trapped in a Utah mountain canyon when an 800-pound boulder pinned his right arm. He spent six days there, fighting both the physical challenges of pain and dehydration, and the psychological horror that eroded his hope and energy. Eventually, he amputated his own arm with his pocket knife in order to gain his freedom. It's a truly remarkable story, and hearing Ralston retell it is alternately fascinating and unbearable. After a brief setup that details his life as an adventurer, he arrives at his moment of horror, walking the listener in painstaking detail through everything he felt and thought; his honest and blunt language (" 'What are you doing, Aron? Get that knife away from your wrist!' I feel vaguely ill... my vision blurs in a nauseating swirl"), paired with his direct and non-sensational delivery, wrap the listener in a mental blanket of claustrophobia. Although squeamish listeners might find this audio presentation too overwhelming, it's a riveting document of one man's extraordinary trial.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an alternate kindle_edition edition. Review
'Ralston manages to keep the tension flowing throughout . . . alternating each chapter of angst-ridden, present-tense narrative with a cosier chapter of climbing nostalgia. This lends the book a Hitchcockian rhythm, see-sawing neatly between calm and tension. . . . . He is somehow able to chronicle the ebb and flow of his thoughts and feelings during his ordeal with an exactness that gives his book the emotional pull of a psychological thriller.' Craig Brown, book of the week in the MAIL ON SUNDAY
'Ralston is a passionate man who has lived his life resolutely pursuing this passion. His fortitude in his dire predicament was, as he would say, awesome, and from this it is possible to learn much about hope in the face of overwhelming odds.'
Toby Clements, DAILY TELEGRAPH
'Heroic, searing and compelling' Benedict Allen '[This book has] the emotional pull of a psychological thriller'
MAIL ON SUNDAY
'A gripping book . . . It not only details his entrapment and escape but tells vivid tales of extreme mountaineering prior to that defining misadventure'
Joanna Walters, DAILY EXPRESS
'Ralston is superb at evoking the epic beauty of the land, and his description of his ordeal is riveting: think Touching the Void directed by Tarantino'
Sarfraz Manzoor, NEW STATESMAN
'Riveting . . . if you only read one adventure book this year, this is it'
THE GREAT OUTDOORS
'Here is one man's heroic struggle with the infinite, a searing and compelling read. Aron Ralston tells his agonizing, inspiring tale of survival with all the verve and honesty you'd expect of someone who somehow found inspiration even in the face of a lonely death.'
Benedict Allen
--This text refers to an out of print or unavailable edition of this title. Excerpt. © Reprinted by permission. All rights reserved.
Between a Rock and a Hard Place
ONE
“Geologic Time Includes Now”
This is the most beautiful place on earth.
There are many such places. Every man, every woman, carries in heart and mind the image of the ideal place, known or unknown, actual or visionary. . . . There’s no limit to the human capacity for the homing sentiment. Theologians, sky pilots, astronauts have even felt the appeal of home calling to them from up above, in the cold black outback of interstellar space.
For myself I’ll take Moab, Utah. I don’t mean the town itself, of course, but the country which surrounds it—the canyonlands. The slickrock desert. The red dust and the burnt cliffs and the lonely sky—all that which lies beyond the end of the roads.
—EDWARD ABBEY, Desert Solitaire
FRAYING CONTRAILS STREAK another bluebird sky above the red desert plateau, and I wonder how many sunburnt days these badlands have seen since their creation. It’s Saturday morning, April 26, 2003, and I am mountain biking by myself on a scraped dirt road in the far southeastern corner of Emery County, in central-eastern Utah. An hour ago, I left my truck at the dirt trailhead parking area for Horseshoe Canyon, the isolated geographic window of Canyonlands National Park that sits fifteen air miles northwest of the legendary Maze District, forty miles southeast of the great razorback uplift of the San Rafael Swell, twenty miles west of the Green River, and some forty miles south of I-70, that corridor of commerce and last chances (NEXT SERVICES: 110 MILES). With open tablelands to cover for a hundred miles between the snowcapped ranges of the Henrys to the southwest—the last range in the U.S. to be named, explored, and mapped—and the La Sals to the east, a strong wind is blowing hard from the south, the direction I’m heading. Besides slowing my progress to a crawl—I’m in my lowest gear and pumping hard on a flat grade just to move forward—the wind has blown shallow drifts of maroon sand onto the washboarded road. I try to avoid the drifts, but occasionally, they blanket the entire road, and my bike founders. Three times already I’ve had to walk through particularly long sand bogs.
The going would be much easier if I didn’t have this heavy pack on my back. I wouldn’t normally carry twenty-five pounds of supplies and equipment on a bike ride, but I’m journeying out on a thirty-mile-long circuit of biking and canyoneering—traversing the bottom of a deep and narrow canyon system—and it will take me most of the day. Besides a gallon of water stored in an insulated three-liter CamelBak hydration pouch and a one-liter Lexan bottle, I have five chocolate bars, two burritos, and a chocolate muffin in a plastic grocery sack in my pack. I’ll be hungry by the time I get back to my truck, for certain, but I have enough for the day.
The truly burdensome weight comes from my full stock of rappelling gear: three locking carabiners, two regular carabiners, a lightweight combination belay and rappel device, two tied slings of half-inch webbing, a longer length of half-inch webbing with ten prestitched loops called a daisy chain, my climbing harness, a sixty-meter-long and ten-and-a-half-millimeter-thick dynamic climbing rope, twenty-five feet of one-inch tubular webbing, and my rarely used Leatherman-knockoff multi-tool (with two pocketknife blades and a pair of pliers) that I carry in case I need to cut the webbing to build anchors. Also in my backpack are my headlamp, headphones, CD player and several Phish CDs, extra AA batteries, digital camera and mini digital video camcorder, and their batteries and protective cloth sacks.
It adds up, but I deem it all necessary, even the camera gear. I enjoy photographing the otherworldly colors and shapes presented in the convoluted depths of slot canyons and the prehistoric artwork preserved in their alcoves. This trip will have the added bonus of taking me past four archaeological sites in Horseshoe Canyon that are home to hundreds of petroglyphs and pictographs. The U.S. Congress added the isolated canyon to the otherwise contiguous Canyonlands National Park specifically to protect the five-thousand-year-old etchings and paintings found along the Barrier Creek watercourse at the bottom of Horseshoe, a silent record of an ancient people’s presence. At the Great Gallery, dozens of eight-to-ten-foot-high superhumans hover en echelon over groups of indistinct animals, dominating beasts and onlookers alike with their long, dark bodies, broad shoulders, and haunting eyes. The superbly massive apparitions are the oldest and best examples of their design type in the world, such preeminent specimens that anthropologists have named the heavy and somewhat sinister artistic mode of their creators the “Barrier Creek style.” Though there is no written record to help us decipher the artists’ meaning, a few of the figures appear to be hunters with spears and clubs; most of them, legless, armless, and horned, seem to float like nightmarish demons. Whatever their intended significance, the mysterious forms are remarkable for their ability to carry a declaration of ego across the millennia and confront the modern observer with the fact that the panels have survived longer and are in better condition than all but the oldest golden artifacts of Western civilization. This provokes the question: What will remain of today’s ostensibly advanced societies five thousand years hence? Probably not our artwork. Nor any evidence of our record amounts of leisure time (if for no other reason than most of us fritter away this luxury in front of our television sets).
• Ģ Ģ
In anticipation of the wet and muddy conditions in the canyon, I’m wearing a pair of beat-up running shoes and thick wool-blend socks. Thus insulated, my feet sweat as they pump on my bike pedals. My legs sweat, too, compressed by the Lycra biking shorts I’m wearing beneath my beige nylon shorts. Even through double-thick padding, my bike seat pummels my rear end. Up top, I have on a favorite Phish T-shirt and a blue baseball cap. I left my waterproof jacket back at my truck; the day is going to be warm and dry, just like it was yesterday when I biked the twelve-mile loop of the Slick Rock Trail over east of Moab. If it were going to be rainy, a slot canyon would be the last place I’d be headed, jacket or no.
Lightweight travel is a pleasure to me, and I’ve figured how to do more with less so I can go farther in a given amount of time. Yesterday I had just my small CamelBak with a few bike-repair items and my cameras, a measly ten-pound load for the four-hour loop ride. In the evening, paring out the bike gear, I hiked five miles on an out-and-back visit to a natural arch out toward Castle Valley, carrying only six pounds total of water and camera equipment. The day before, Thursday, with my friend Brad Yule from Aspen, I had climbed and skied Mount Sopris, the 12,995-foot monarch of western Colorado, and had carried a few extra clothes and backcountry avalanche rescue gear, but I still kept my load under fifteen pounds.
My five-day road trip will culminate on Sunday night with an unsupported solo attempt to mountain bike the 108-mile White Rim Trail in Canyonlands National Park. If I carried the supplies I’d used over the three days it took me the first time I rode that trail in 2000, I’d have a sixty-pound pack and a sore back before I went ten miles. In my planning estimates this time around, I am hoping to carry fifteen pounds and complete the loop in under twenty-four hours. It will mean following a precision-charted water-management plan to capitalize on the scarce refilling opportunities, no sleeping, and only the bare minimum of stopping. My biggest worry isn’t that my legs will get tired—I know they will, and I know how to handle it—but rather that my, uh, undercarriage will become too sensitive to allow me to ride. “Crotch coma,” as I’ve heard it called, comes from the desensitizing overstimulation of the perineum. As I haven’t ridden my bike any extended distance since last summer, my bike-saddle tolerance is disconcertingly low. Had I anticipated this trip prior to two nights ago I would have gone out for at least one long ride in the Aspen area beforehand. As it happened, some friends and I called off a mountaineering trip at the last moment on Wednesday; the cancellation freed me for a hajj to the desert, a pilgrimage for warmth to reacquaint myself with a landscape other than wintry mountains. Usually, I would leave a detailed schedule of my plans with my roommates, but since I left my home in Aspen without knowing what I was going to do, the only word of my destination I gave was “Utah.” I briefly researched my trip options by consulting my guidebooks as I drove from Mount Sopris to Utah Thursday night. The result has been a capriciously impromptu vacation, one that will even incorporate dropping in on a big campout party near Goblin Valley State Park tonight.
It’s nearing ten-thirty A.M. as I pedal into the shade of a very lonesome juniper and survey my sunbaked surroundings. The rolling scrub desert gradually drops away into a region of painted rock domes, hidden cliffs, weathered and warped bluffs, tilted and tortured canyons, and broken monoliths. This is hoodoo country; this is voodoo country. This is Abbey’s country, the red wasteland beyond the end of the roads. Since I arrived after dark last night, I wasn’t able to see much of the landscape on my drive in to the trailhead. As I scan the middle ground to the east for any sign of my destination canyon, I take out my chocolate muffin from the Moab grocery... --This text refers to an out of print or unavailable edition of this title. About the Author
Aron Ralston, a native of the Midwest, retired from a career as a mechanical engineer at age twenty-six before moving to Aspen, Colorado. Since his accident, he has completed his unprecedented project to climb the fifty-nine Colorado peaks of more than 14,000 feet, alone, in winter. This is his first book. --This text refers to an out of print or unavailable edition of this title.
